Supplementary illustrations for James Rovira, “Michael Phillips and the Infernal Method of William Blake. Cornell Fine Arts Museum, Rollins College, 12 September 2009–3 January 2010,” Blake 44.3 (winter 2010-11): 110-11.
Images courtesy of Michael Phillips, Matthew McLendon, and the Cornell Fine Arts Museum, Rollins College
The exhibition space
Framed impressions of the Experience title page and “The Tyger”
Selection of Phillips’s relief-etched copperplates of the Songs
Selection of Songs impressions
Impressions of the general title page printed from the same inked plate
Phillips’s relief-etched copperplates of Europe
... and impressions
A Phillips copperplate for America
... and a print
Comparison of copperplates for Europe, Marriage, and Songs