Blake and Music, 2017
Jason Whittaker (jwhittaker@lincoln.ac.uk) is head of the School of English and Journalism at the University of Lincoln. He is the author of several works on William Blake, including William Blake and the Myths of Britain (Palgrave, 1999), Radical Blake: Influence and Afterlife from 1827 (with Shirley Dent, Palgrave, 2002), and Blake 2.0: William Blake in Twentieth-Century Art, Music and Culture (with Steve Clark and Tristanne Connolly, Palgrave, 2012). His main research interests in Blake deal with the reception of the poet and artist, and he is currently completing a book on the first hundred years of the hymn “Jerusalem.”
William Blake has long been a favorite of a number of composers and songwriters, and when Donald Fitch published Blake Set to Music: A Bibliography of Musical Settings of the Poems and Prose of William Blake in 1990, he listed 1412 pieces that had been composed by 1988. This was then expanded by his “Blake Set to Music: Supplement 2001” in Blake 35.2 (fall 2001) and Ashanka Kumari’s “Adding to Blake Set to Music” in Blake 49.4 (spring 2016).
The original Blake Set to Music had largely concentrated on classical settings of Blake’s works; Fitch’s supplement, as well as incorporating additional classical compositions that had appeared since the end of the 1980s, also included a significant number of pop songs that had been produced earlier. Kumari continued with both classical and popular additions, and my list of entries adheres to the format established by Fitch and followed by Kumari. As Kumari’s piece concluded with 2013 releases, the entries here concentrate on those that have been released since 2013, although some earlier ones, not included by either her or Fitch, also appear below. There is one significant difference between this list and those produced by both previous authors: while they generally avoided songs that simply mentioned Blake and instead concentrated on settings of Blake’s poetry, this list also includes songs that are about Blake in some shape or form. I have avoided the substantial number of albums that make some passing—usually superficial—reference to the Songs of Innocence and of Experience, although two albums by U2 are listed because critics have observed that they are significantly, if somewhat obliquely, influenced by Blake’s poetry.
Wherever possible, the originating country of the artist(s) is listed, as well as instrumentation, copyright dates, publisher, and genres. Each source list also includes at least one link to a recording, usually Amazon, Apple, Spotify, or YouTube.
Agnes and Aubrey — UK
From Artsongs: Ten Songs about Artists; for voice, piano, guitar, percussion. Duration: 31:22. Tate, © 2006. Rock/pop.Ashman, Howard, and Alan Menken — USA
From Kurt Vonnegut’s God Bless You, Mr. Rosewater; for voices, variously accompanied. Duration: 53:57. Menken Music, © 2017. Musical.Beeler, Alan — USA
From The Real Beeler: Symphonic Music of Alan Beeler; for symphony orchestra. Duration: 1:13:12. Navona Records, © 2014. Classical.Bottegasonora — Italy
From Disco naïf; for voice, keyboards, percussion. Duration: 34:00. Bottegasonora, © 2009. Rock/pop.Burnett, Matt — USA
From Wildflower; for piano. Duration: 30:01. Walnut Tree Music, © 2005. Classical.Burnside, Alan — UK
From Corridors of Memory; for voice, guitar, harmonica. Duration: 35:01. Alan Burnside, © 2017. Folk.Caestles — USA
From A Treatise on Human Combustion; for voice, guitars, bass, percussion. Duration: 20:20. Caestles, © 2010. Rock/pop.The Cleavers — USA
From Television Mind; for voice, guitars, bass, percussion, strings. Duration: 42:56. Allright Records, © 2004. Folk.Dave Taylor Octet — USA
From The Atomic Bomb Blues (Live); for brass octet. Duration: 1:02:54. Composers Concordance Records, © 2015. Classical/jazz.Earth — USA
Hex; or Printing in the Infernal Method; for guitars, percussion, keyboards. Duration: 46:26. Southern Lord, © 2005. Rock/pop.Echo, Erin — USA
From various artists, When Worlds Collide: A Tribute to Daniel Amos and the Music of Terry Scott Taylor; for voice, variously accompanied. Duration: 1:10:35. Ferris Wheel, © 2000. Rock/pop.Escombe, Luke — Australia
From Skeleton Blues; for voice, guitar. Duration: 47:46. Fogsongs, © 2017. Rock/pop.Fang — Spain
From Monster; for voice, keyboard, percussion. Duration: 46:08. K. Industria Cultural, © 2001. Rock/pop.Ginsberg, Allen — USA
Songs of Innocence and Experience; for voice, variously accompanied. Duration: 1:47:19. Omnivore Recordings, © 2017. Avant garde/folk.Grave Closure — UK
From Dark Lane; for voice, keyboard, guitars, percussion. Duration: 1:16:02. 624353 Records, © 2016. Rock/pop.The Great Veil — Denmark
From Aldrig Mere Elske; for voice, guitars, bass, percussion. Duration: 42:22. Repo Man Records, © 2016. Rock/pop.The Groundsmen — USA
From Livelife; for voice, guitars, percussion. Duration: 31:09. Spat! Records, © 2008. Rock/pop.Gunthorpe, Zac — Australia
From Long Lost Love Lies; for voice, guitars, percussion. Soul Arch Recordings, © 2012. Alternative country.Harle, John, and Marc Almond — UK
From The Tyburn Tree: Dark London; for voice, variously accompanied. Duration: 53:50. Sospiro Music Ltd., © 2013. Avant garde/classical.Kidane, Daniel — UK
Songs of Illumination; for voice and piano. Daniel Kidane, © 2018. Classical. (Three pieces based on “A Dream,” “The Land of Dreams,” and “The Little Black Boy.”)Krylov, Andrei — Russia
From Gothic Music Fantasy for Renaissance Celtic Lute and Classical Guitar; for lute and classical guitar. Duration: 1:24:48. Andrei Krylov, © 2015. Classical.Lawler, Kevin, and Nevada Jones — USA
Stranger from Paradise; for voices, variously accompanied. Kevin Lawler and Nevada Jones, © 2017. Classical. (Opera drawing upon the life and works of Blake.)Leo, Lou — USA
From Lou Leo Sings the Electric Poet (George Pereny); for voice, guitar, bass, percussion. Duration: 1:13:43. Pompton Turtle, © 2000. Country.Like a Stuntman — Germany
From Original Bedouin Culture; for voice, variously accompanied. Duration: 40:43. Bureau B, © 2009. Alternative/indie.Lovenstein, Jonathan — USA
Blake Songs and Other Works; for voice, piano. Duration: 1:12:27. Titanic, © 1994. Classical.Lovenstein, Jonathan — USA
Blake Songs and Other Works, volume 2; for voice, piano. Duration: 46:14. Titanic, © 1999. Classical.Ndesandjo, Mark Obama — USA/China
The Divine Comedy: Reflections on William Blake; for piano. Duration: 1:06:25. Mark O. Ndesandjo, © 2017. Classical.Noisy Minority — Switzerland
From First Silence; for voice, variously accompanied. Duration: 53:02. Unit Records, © 2001. Jazz.Fernand Pena — France
Ode to William Blake; for voice, variously accompanied. Duration: 1:10:04. Fernand Pena, © 2011. Rock/pop.Fernand Pena — France
Ode to William Blake, volume 2; for voice, variously accompanied. Duration: 1:19:43. Fernand Pena, © 2016. Rock/pop.Quatre Bouches and Eisler Trio — Holland
The William Blake Experience; for voices, guitar, cello. Duration: 59:50. Quatre Bouches Productions, © 2014. Classical.Sanders, Ed — USA
From Poems for New Orleans; for voice, variously accompanied. Duration: 1:17:42. Paris Records, © 2007. Jazz.Shasta — USA
From The Outsider; for voice, guitar, percussion. Duration: 52:00. E. “Shasta” Bates and Mountain Thunder Music, © 2009. Country.Silent Religion — Italy
From Absence; songs for voice, keyboards, electronic instruments, percussion. Duration: 23:73. Silent Realm, © 2016. Rock/pop.Sky, Ananda
From For You; for voice, guitar. Duration: 37:51. Ananda Sky, © 2001. Folk.Sophya Baccini’s Aradia — Italy
From Big Red Dragon (William Blake’s Visions); songs for voice, guitar, bass, keyboards, percussion. Duration: 1:08:30. Black Widow Records, © 2013. Rock/pop.Thaur, Simon — Austria
William Blakes Songs of Innocence and Experience; for voice, electronic instruments, percussion. Duration: 1:02:49. Platyn Records, © 2011. Techno/electronica.Tiger Tooth — USA
From Tiger Tooth; for voice, electronic instruments, percussion. Duration: 1:12:39. Baby Tooth, © 2016. Techno/electronica.Treacher, Graham — UK
Divine Madness: The Visions of Albion; for voice, viol consort. Duration: 56:00. Graham Treacher, © 2016. Classical. (Based on Milton a Poem and other writings of Blake.)Turn Off Your Television — Sweden
From Humble Waves; for voice, variously accompanied. Duration: 31:58. Turn Off Your Television, © 2012. Rock/pop.Tyler, Alan — UK
William Blake’s Songs of Innocence; for voice, guitars, violin, percussion. Duration: 38:48. Littlefield, © 2015. Folk.U2 — IrelandThis is the most contentious addition here, as U2 neither directly reference Blake nor set his poetry to music, but the parallels between their two albums and Blake’s Songs of Innocence and of Experience have been recognized by a number of music critics. As such, their Songs of Innocence and Songs of Experience are listed, along with Walter Zimmermann’s Songs of Innocence & Experience, which includes a series of ritornels directly drawn from Blake’s poetry.Variant titles of the Songs are always popular, including the following list of albums that do not particularly invoke Blake’s work in any other way: Adequate Seven — Songs of Innocence and of Experience (2003); Augustus & the Emperors — Songs of Innocence and of Experience (2011); Danielle Buonaiuto, Bethany Pietroniro — Songs of Innocence and Experience (2014); Caprice — Songs of Innocence and Experience (2006); J. J. Crown — Songs of Innocence and Experience (2011); The Echoing Green — Songs of Innocence and Experience (2006); Fitz — Songs of Innocence and Experience (2008); Lisa Howard — Songs of Innocence & Experience (2011); Love Syndicate — Songs of Innocence and Experience (2002); Paul McDowell — Songs of Innocence and Experience (2012); Anda Al Sinaia — Songs of Innocence and Experience (2005); Jasper Steverlinck — Songs of Innocence (2004).
Songs of Innocence; for voice, variously accompanied. Duration: 48:06. Island Records, © 2014. Rock/pop.U2 — Ireland
Songs of Experience; for voice, variously accompanied. Duration: 1:07:38. Island Records, © 2017. Rock/pop.Vesper Land — France
A Folk Tribute to William Blake; for voice, guitars. Duration: 20:51. Lco Art, © 2012. Folk/country.Walcott, Christopher
From Relaxation; for voices, variously accompanied. Duration: 53:00. Discmedi, © 2011. New age.Wilson, Dan, and Mark Huggett Project — South Africa/UK
From Max Roach Park; for voices, variously accompanied. Duration: 1:15:22. Musketeer Records, © 2007. Jazz.Woerner, Danielle, and Sylvia Buccelli — USA
From She Walks in Beauty: The Songs of Otto Luening and Robert Starer; for voice, piano. Duration: 1:17:10. Parnassus, © 2013. Classical.Zimmermann, Walter, and Sonar Quartett — Germany
Songs of Innocence & Experience; for string quartet. Duration: 02:23:11. Mode, © 2012. Classical.