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Bonus Content

Bonus Content

Appendix: Historic Editions and Scholarship Digitally Available; Reprints by On-Demand Publishers; Questionable Editions,” by Wayne C. Ripley. It appears in conjunction with our annual summer feature “William Blake and His Circle: A Checklist of Publications.”

Indexes of articles and reviews for the journal Blake Studies (1968-80), ed. Kay Parkhurst Easson and Roger R. Easson. The indexes were compiled by Detlef W. Dörrbecker, University of Trier, whom we thank for his generosity in offering them for wider circulation.

Addenda to G. E. Bentley, Jr., Blake Records, 2nd ed. (final update June 2017).

Justin Van Kleeck’s Four Zoas bibliography (final update July 2013).

Vol. 44, no. 4 (spring 2011)
Robert N. Essick, “Blake in the Marketplace, 2010”: see color images of the illustrations.

Vol. 44, no. 3 (winter 2010-11)
Philip J. Cardinale and Joseph R. Cardinale, “A Newly Discovered Blake Book: William Blake’s Copy of Thomas Taylor’s The Mystical Initiations; or, Hymns of Orpheus (1787)”: color versions of the illustrations showing the annotations on pp. vii and viii.
James Rovira, review of Michael Phillips and the Infernal Method of William Blake, Cornell Fine Arts Museum, Rollins College, 12 September 2009-3 January 2010: images of copperplates and prints.

Vol. 42, no. 3 (winter 2008-09)
Supplementary illustrations for Angus Whitehead, “‘this extraordinary performance’: William Blake’s Use of Gold and Silver in the Creation of His Paintings and Illuminated Books.”

Vol. 41, no. 2 (fall 2007)
Joseph Viscomi, “Blake’s ‘Annus Mirabilis’: The Productions of 1795.”

Vol. 36, no. 2 (fall 2002)
Robert N. Essick and Joseph Viscomi, “Blake’s Method of Color Printing: Some Responses and Further Observations.”
A reply from Martin Butlin, “William Blake, S. W. Hayter and Color Printing,” and a response from Essick and Viscomi.

Vol. 35, no. 3 (winter 2001-02)
Robert N. Essick and Joseph Viscomi, “An Inquiry into Blake’s Method of Color Printing.”

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