Supplementary illustrations for James Rovira, “Michael Phillips and the Infernal Method of William Blake. Cornell Fine Arts Museum, Rollins College, 12 September 2009–3 January 2010,” Blake 44.3 (winter 2010-11): 110-11.

Images courtesy of Michael Phillips, Matthew McLendon, and the Cornell Fine Arts Museum, Rollins College

The exhibition space


Framed impressions of the Experience title page and “The Tyger”


Selection of Phillips’s relief-etched copperplates of the Songs


Selection of Songs impressions


Impressions of the general title page printed from the same inked plate


Phillips’s relief-etched copperplates of Europe

... and impressions


A Phillips copperplate for America

... and a print


Comparison of copperplates for Europe, Marriage, and Songs