Author | Title | Volume | Year | Pages |
Baine, Mary R. See Baine, Rodney M., and Mary R. Baine |
Baine, Rodney M. |
Blake and Defoe |
6.2
|
fall 1972 |
51-53 |
|
Bromion’s “Jealous Dolphins” |
14.4
|
spring 1981 |
206-07 |
Baine, Rodney M., and Mary R. Baine |
Blake’s Inflammable Gass |
10.2
|
fall 1976 |
51-52 |
|
Blake’s Sketch for Hamlet |
9.4 |
spring 1976 |
117-19 |
Bakić, Tanja |
“Re-mediatingˮ William Blake in Croatia and Serbia |
55.3 |
winter 2021–22 |
24 pars. |
Becher, Lorenz |
Lorenz Becher: An Artist
in Berne, Switzerland |
31.1
|
summer 1997 |
22-24 |
Beer, John |
Blake’s “Donald the Hammerer” |
5.3
|
winter 1971–72 |
165-67 |
|
Brief Ripostes [to Irene Chayes in 5.3] |
6.1
|
summer 1972 |
22-23 |
|
A Reply to Irene Chayes [in 4.3] |
4.4 |
spring 1971 |
144-47 |
|
A Reply to John Grant [in 4.1] |
4.3 |
winter 1970–71 |
103-06 |
Behrendt, Stephen C. |
Europe 6: Plundering the
Treasury |
21.3
|
winter 1987–88 |
84-94 |
|
A Possible Corollary
Source for The Gates of Paradise 10 |
28.3
|
winter 1994–95 |
92-94 |
Bell, Dan |
The [First] Book of Blake [poem] |
19.3
|
winter 1985–86 |
122-23 |
Bennett, Alma |
Teaching Blake [poem] |
28.3
|
winter 1994–95 |
115 |
Bennett, Shelley M. |
A Newly Discovered Blake at the Huntington |
18.3
|
winter 1984–85 |
132-39 |
Bentley, Elizabeth B. |
Blake’s Elusive Ladies |
26.1
|
summer 1992 |
30-33 |
|
Grave Indignities: Greed, Hucksterism, and Oblivion: Blake’s Watercolors for Blair’s Grave |
40.2 |
fall 2006 |
66-71 |
|
Urizen in New York City |
33.1
|
summer 1999 |
27-30 |
|
Vision in Fiction: Two Novels about William Blake |
12.3 |
winter 1978–79 |
209-10 |
Bentley, G. E., Jr. |
The Accuracy of the Blake Trust Gray
Catalogue |
6.4
|
spring 1973 |
95-96 |
|
The Accuracy of the Blake Trust Reproductions |
8.3
|
winter 1974–75 |
88-89 |
|
All the Evidence That’s Fit to Print |
2.1
|
June 1968 |
11-13 |
|
Almost Blake |
13.2
|
fall 1979 |
109 |
|
The American Blake Foundation |
42.4 |
spring 2009 |
155-58 |
|
Answers to Hard Questions: The Residence of Thomas Butts |
2.3 |
Dec. 1968 |
58 |
|
An Apocryphal Blake Engraving: The Minor’s Pocket Book (1814) |
4.3 |
winter 1970–71 |
107-08 |
|
Blake among the Slavs: A Checklist |
11.1 |
summer 1977 |
50-54 |
|
Blake and Stedman as Costumiers: Curious Copies of Blake’s Engravings in 1821 |
46.4 |
spring 2013 |
21 pars. |
|
Blake and Wedgwood |
24.1
|
summer 1990 |
33-34 |
|
Blake Apocrypha |
1.2 |
Oct. 1967 |
4-5 |
|
Blake Copperplates in the Thomas Ross Archive |
43.3 |
winter 2009–10 |
107-08 |
|
“Blake . . . Had No Quaritch”: The Sale
of William Muir’s Blake Facsimiles |
27.1
|
summer 1993 |
4-13 |
|
Blake’s First Arrest, at Upnor Castle |
31.3
|
winter 1997–98 |
82-84 |
|
Blake’s Sinister “g”, from 1789-93 to ?1803 |
3.2 |
Sept. 1969 |
43-45 |
|
Blake’s Trial Documents |
14.1
|
summer 1980 |
37-39 |
|
Blakewell |
13.3
|
winter 1979–80 |
152-53 |
|
A Census of Colored Copies of Young’s Night Thoughts (1797) [see the correction in 2.4] |
2.3 |
Dec. 1968 |
41-45 |
|
Charles Parr Burney as a Blake Collector |
17.1
|
summer 1983 |
16 |
|
Colored Copies of Blair’s Grave (1808, 1813): A Census |
50.4
|
spring 2017 |
3 pars. |
|
Corrigenda and Addenda: Blake Records, Second Edition [all addenda are now online] |
37.4 |
spring 2004 |
151 |
|
Cromek’s Lost Letter about Blake’s Grave Designs |
26.4
|
spring 1993 |
160 |
|
Cumberland Bibliography Addenda |
11.2
|
fall 1977 |
128 |
|
The Dates of Jerusalem |
41.4 |
spring 2008 |
166 |
|
The Daughters of Albion and the Butts
Household |
18.2
|
fall 1984 |
116 |
|
The Death of Blake’s Partner James Parker |
30.2
|
fall 1996 |
49-51 |
|
Echoes of Blake’s Grave Designs in 1838 |
12.3
|
winter 1978–79 |
207-09 |
|
The 1821 Edwards Catalogue |
17.4
|
spring 1984 |
154-56 |
|
“The Eternal Wheels of Intellect”:
Dissertations on William Blake |
12.4
|
spring 1979 |
224-43 |
|
The Felpham Rummer: A New Angel and “Immoral
Drink” Attributed to William Blake |
18.2
|
fall 1984 |
94-99 |
|
The First Printed Reference to the Publication
of Job: Disraeli (?) in the Star Chamber (1826) |
12.1
|
summer 1978 |
69-70 |
|
From Sketch to Text in Blake: The Case
of The Book of Thel |
19.4
|
spring 1986 |
128-41 |
|
A Fugitive or Apocryphal Blake Engraving |
2.4
|
April 1969 |
74 |
|
Inscriptions by Blake for His Designs |
48.1 |
summer 2014 |
|
|
Inscriptions by Blake for His Designs: Addenda |
48.2 |
fall 2014 |
|
|
The Inscriptions on Blake’s Designs to
Pilgrim’s Progress |
6.3
|
winter 1972–73 |
68-70 |
|
Keynes and Blake at Cambridge |
19.2
|
fall 1985 |
69-71 |
|
The Mathews as Patrons |
46.2
|
fall 2012 |
5 pars. |
|
A New America |
20.2
|
fall 1986 |
36-44 |
|
A “New” Blake Engraving in Lavater’s
Physiognomy |
6.2
|
fall 1972 |
48-49 |
|
“New” Blake Engravings after Blake’s
Designs, 1837, 1859, 1861 |
12.3
|
winter 1978–79 |
204 |
|
The Physiognomy of Lavater’s Essays:
False Imprints, “1789” and “1792” |
29.1
|
summer 1995 |
16-23 |
|
The Publication of Ellis and Yeats, The Works of William Blake (1893) |
42.3 |
winter 2008–09 |
109-10 |
|
Richard C. Jackson, Collector of Treasures and Wishes: Walter Pater, Charles Lamb, William Blake |
36.3 |
winter 2002–03 |
92-105 |
|
Rosenbach and Blake |
51.3 |
winter 2017–18 |
|
|
Ruthven Todd’s Blake Papers at Leeds |
16.2
|
fall 1982 |
72-81 |
|
The Selling of Blake’s Night Thoughts
Designs in the 1870s |
12.1
|
summer 1978 |
70-71 |
|
Sterne and Blake |
2.4
|
April 1969 |
64-65 |
|
A Supplement to Blake Books |
11.3
|
winter 1977–78 |
136-77 |
|
A Supplement to G. E. Bentley, Jr., and Martin K. Nurmi, A Blake Bibliography (1964) |
2.4 (part 2) |
April 1969 |
1-29 |
|
A Swedenborgian Bible |
24.2
|
fall 1990 |
63-64 |
|
Thomas Sivright and the Lost Designs
for Blair’s Grave |
19.3
|
winter 1985–86 |
103-06 |
|
The Vicissitudes of Vision: The First
Account of William Blake in Russian |
10.4
|
spring 1977 |
112-14 |
|
William Blake and the Sophocles Enigma
|
31.2
|
fall 1997 |
65-71 |
|
William Blake of the Woolpack & Peacock
|
50.2
|
fall 2016 |
10 pars. |
|
W. S. Blake: New Facts and Engravings |
49.3
|
winter 2015–16 |
24 pars. |
|
Young’s Night Thoughts (London:
R. Edwards, 1797): A New Unillustrated State |
14.1
|
summer 1980 |
34-35 |
Bentley, G. E., Jr., and Mark Abley |
New Blake Documents: Job, Oedipus,
and the Songs of Innocence and of Experience |
21.3
|
winter 1987–88 |
104-07 |
Bentley, G. E., Jr., with the assistance
of Keiko Aoyama |
William Blake and His Circle: A Checklist
of Publications and Discoveries in 1992-1993 |
28.1
|
summer 1994 |
4-34 |
|
William Blake and His Circle: A Checklist
of Publications and Discoveries in 1994 |
28.4
|
spring 1995 |
142-89 |
|
William Blake and His Circle: A Checklist
of Publications and Discoveries in 1995 |
29.4
|
spring 1996 |
131-68 |
|
William Blake and His Circle: A Checklist
of Publications and Discoveries in 1996 |
30.4
|
spring 1997 |
121-52 |
|
William Blake and His Circle: A Checklist
of Publications and Discoveries in 1997 |
31.4
|
spring 1998 |
137-75 |
|
William Blake and His Circle: A Checklist of Publications and Discoveries in 1998 |
32.4
|
spring 1999 |
114-49 |
|
William Blake and His Circle: A Checklist
of Publications and Discoveries in 1999 |
33.4
|
spring 2000 |
135-67 |
|
William Blake and His Circle: A Checklist of Publications
and Discoveries in 2000 |
34.4
|
spring 2001 |
129-58 |
|
William Blake and His Circle: A Checklist of Publications and Discoveries in 2001 |
36.1 |
summer 2002 |
4-37 |
Bentley, G. E., Jr., with the assistance of Hikari Sato |
William Blake and His Circle: A Checklist of Publications and Discoveries in 2002 |
37.1 |
summer 2003 |
4-31 |
|
William Blake and His Circle: A Checklist of Publications
and Discoveries in 2004 |
39.1 |
summer 2005 |
4-37 |
|
William Blake and His Circle: A Checklist of Publications
and Discoveries in 2005 |
40.1 |
summer 2006 |
4-41 |
|
William Blake and His Circle: A Checklist of Publications and Discoveries in 2006 |
41.1 |
summer 2007 |
4-43 |
|
William Blake and His Circle: A Checklist of Publications and Discoveries in 2007 |
42.1 |
summer 2008 |
4-48 |
|
William Blake and His Circle: A Checklist of Publications
and Discoveries in 2008 |
43.1 |
summer 2009 |
4-48 |
|
William Blake and His Circle: A Checklist of Publications
and Discoveries in 2009 |
44.1 |
summer 2010 |
4-48 |
|
William Blake and His Circle: A Checklist of Publications and Discoveries in 2010 |
45.1 |
summer 2011 |
4-36 |
Bentley, G. E., Jr., with the assistance of Hikari Sato and Fernando Castanedo |
William Blake and His Circle: A Checklist of Publications and Discoveries in 2013 |
48.1 |
summer 2014 |
|
Bentley, G. E., Jr., with the assistance of Hikari Sato and Ching-erh Chang |
William Blake and His Circle: A Checklist of Publications and Discoveries in 2003 |
38.1 |
summer 2004 |
4-35 |
Bentley, G. E., Jr., with the assistance of Hikari Sato and Li-Ping Geng |
William Blake and His Circle: A Checklist of Publications and Discoveries in 2011 |
46.1 |
summer 2012 |
|
|
William Blake and His Circle: A Checklist of Publications and Discoveries in 2012 |
47.1 |
summer 2013 |
|
Bentley, G. E., Jr., with the assistance of Hikari Sato, Li-Ping Geng, and Fernando Castanedo |
William Blake and His Circle: A Checklist of Publications and Discoveries in 2014 |
49.1 |
summer 2015 |
|
|
William Blake and His Circle: A Checklist of Publications and Discoveries in 2015 |
50.1 |
summer 2016 |
|
|
William Blake and His Circle: A Checklist of Publications and Discoveries in 2016 |
51.1 |
summer 2017 |
|
See also Morgan, Richard, with supplementary notes by G. E. Bentley, Jr. |
Betteridge, David |
Eternity in Love [poem] |
40.1 |
summer 2006 |
46 |
Betz, Paul F. |
Wordsworth’s First Acquaintance with
Blake’s Poetry |
3.4
|
May 1970 |
84-89 |
Bidney, Martin |
Urizen and Orc, Cortés and Guatimozin:
Mexican History and The Four Zoas VII |
23.4
|
spring 1990 |
195-98 |
Bindman, David |
Adam and Eve Asleep: A Dissent [response to Martin Butlin in 51.1] |
51.2
|
fall 2017 |
6 pars. |
|
An Afterword on William Blake: His
Art and Times |
16.4
|
spring 1983 |
224-25 |
|
The Dead Ardours Revisited [response
to David V. Erdman in 14.2] |
14.4
|
spring 1981 |
211 |
|
J. S. Deville’s Life Mask of William Blake |
3.3 |
Dec. 1969 |
55-56 |
|
A New Blake Drawing in the Boston Museum
of Fine Art |
12.3
|
winter 1978–79 |
205-06 |
|
Samuel Palmer’s An Address to the
Electors of West Kent, 1832 Rediscovered [including the Address] |
19.2
|
fall 1985 |
56-68 |
|
An Unpublished Blake Pencil Drawing of the Lambeth Period |
4.2 |
fall 1970 |
38-40 |
Bogan, James |
Blake’s Jupiter Olympius in Rees’ Cyclopaedia |
15.4
|
spring 1982 |
156-63 |
|
Outside the Toronto Art Gallery [poem] |
17.2
|
fall 1983 |
60 |
|
Vampire Bats and Blake’s Spectre |
10.1
|
summer 1976 |
32-33 |
Borkowska, Eliza |
“Did he who made the Lamb make the… Tyger”? |
48.2
|
fall 2014 |
25 pars. |
|
“I inhabited the Land of Ulro long before Blake taught me its proper name”: Czesław Miłosz’s Ziemia Ulro/The Land of Ulro |
55.3
|
winter 2021–22 |
19 pars. |
|
Translating Blake’s Jerusalem into Polish |
46.1
|
summer 2012 |
23 pars. |
Bouwer, Izak, and Paul McNally |
“The Mental Traveller”: Man’s Eternal
Journey |
12.3
|
winter 1978–79 |
184-92 |
Bowden, Betsy |
The Artistic and Interpretive Context
of Blake’s “Canterbury Pilgrims” |
13.4
|
spring 1980 |
164-90 |
Brisman, Leslie |
Blake’s Comme-bined Cherubim: A Note
on Milton, Plate 32 |
21.3
|
winter 1987–88 |
95-98 |
Brown, Robert E. See Grant, John E., and Robert E. Brown |
Browne, Max |
A Blake Source for von Holst |
29.3
|
winter 1995–96 |
78-81 |
Bruder, Helen P. |
Response to Anne K. Mellor [review in 41.4] |
42.2 |
fall 2008 |
78-79 |
Buck, John |
Miss Groggery |
2.3
|
Dec. 1968 |
40-41 |
Butlin, Martin |
Another Rediscovered Small Color Print by William
Blake |
27.3
|
winter 1993–94 |
68 |
|
A Blake Drawing Rediscovered and Redated |
34.1
|
summer 2000 |
22-24 |
|
Blake’s Illustrations to Paradise
Lost |
3.3
|
Dec. 1969 |
57 |
|
Blake’s Unfinished Series of Illustrations to Paradise Lost for John Linnell: An Addition |
51.1
|
summer 2017 |
10 pars. |
|
The Catalogue of Blake’s Designs Completed,
and a Last-Minute Inclusion |
9.2
|
fall 1975 |
48-49 |
|
A Concordance between William Rossetti’s
Annotated Lists, W. Graham Robertson’s Supplementary List, and
Butlin’s Catalogue Numbers |
16.1
|
summer 1982 |
12-21 |
|
Connoisseurship and the Palmer Fakes [response to review by Raymond Lister in 19.2] |
19.4
|
spring 1986 |
155 |
|
Correction [addendum to “William Blake in the Herbert P. Horne
Collection”] |
6.2 |
fall 1972 |
42 |
|
An Extra Illustration to Pilgrim’s
Progress |
5.3
|
winter 1971–72 |
213-14 |
|
Five Blakes from a Nineteenth-Century
Scottish Collection |
7.1
|
summer 1973 |
4-8 |
|
Footnotes on the Huntington Blakes |
22.1
|
summer 1988 |
17-18 |
|
Harpers and Other Drawings: The Case for a Unified Composition |
47.2 |
fall 2013 |
6 pars. |
|
The History of William Blake’s Job Prints |
49.4 |
spring 2016 |
4 pars. |
|
An Illustration to Robert Bage |
12.3
|
winter 1978–79 |
202 |
|
The Inscription on Evening Amusement |
6.3
|
winter 1972–73 |
74 |
|
“Is This a Private War or Can Anyone Join In?”: A Plea for a Broader Look at Blake’s Color-Printing Techniques |
36.2 |
fall 2002 |
45-49 |
|
The “Linnell” Adam and Eve Asleep: The Case for the Defense [response to Bindman, Essick, and Viscomi in 51.2] |
51.2 |
fall 2017 |
12 pars. |
|
[“The Lute Player”] |
1.3
|
Dec. 1967 |
18 |
|
A “Minute Particular” Particularized:
Blake’s Second Set of Illustrations to Paradise Lost |
6.2
|
fall 1972 |
44-46 |
|
A New Acquisition for the Tate and a
New Addition to the Blake Catalogue |
15.3
|
winter 1981–82 |
132-33 |
|
A New Blake from His Apprentice Years? |
21.4
|
spring 1988 |
143 |
|
A New Color Print from the Small Book of Designs |
26.1 |
summer 1992 |
19-21 |
|
New Risen from the Grave: Nineteen Unknown Watercolors by William Blake |
35.3 |
winter 2001–02 |
68-73 |
|
A Newly Discovered Watermark and a Visionary’s
Way with His Dates |
15.2
|
fall 1981 |
101-03 |
|
Paintings and Drawings of William
Blake (1981): Some Minor Additions |
17.4
|
spring 1984 |
159 |
|
Paolozzi’s Newton |
27.2
|
fall 1993 |
44-45 |
|
A Rare Group of Early Twentieth-Century
Watercolors by a Follower of William Blake |
29.3
|
winter 1995–96 |
76-77 |
|
The Rediscovery of an Artist: James Jefferys,
1751-1784 |
10.4
|
spring 1977 |
123-24 |
|
Six New Early Drawings by William Blake
and a Reattribution |
23.2
|
fall 1989 |
107-12 |
|
Thoughts on the 1978 Tate Gallery Exhibition |
13.1
|
summer 1979 |
16-23 |
|
Two Blakes Reappear and Make Three |
18.2
|
fall 1984 |
118-19 |
|
Two Newly Identified Sketches for Thomas Commins’s An Elegy and Further Rediscovered Drawings of the 1780s |
26.1
|
summer 1992 |
21-26
|
|
Two Newly Identified Sketches for Thomas
Commins’s An Elegy: A Postscript |
27.2 |
fall 1993 |
42-44 |
|
“The Very William Blake of Living Landscape
Painters”! |
10.1
|
summer 1976 |
33-34 |
|
William Blake in the Herbert P. Horne
Collection |
6.1
|
summer 1972 |
19-21 |
|
William Rossetti’s Annotations to Gilchrist’s Life of William Blake |
2.3
|
Dec. 1968 |
39-40 |
Butlin, Martin, and Robin Hamlyn |
Tate Britain Reveals Nine New Blakes and Thirteen New Lines of Verse |
42.2 |
fall 2008 |
52-72 |
Author | Title | Volume | Year | Pages |
Calè, Luisa |
Blake and Exhibitions, 2017 |
52.1 |
summer 2018 |
|
|
Blake and Exhibitions, 2018 |
53.1 |
summer 2019 |
|
|
Blake and Exhibitions, 2019 |
54.1 |
summer 2020 |
|
|
Blake and Exhibitions, 2020 |
55.1 |
summer 2021 |
|
|
Reading Revolutions: Corrado Costa’s William Blake in Beulah, a Visionary Cartoon Essay in 1977 Italy |
55.3 |
winter 2021–22 |
21 pars. |
|
William Blake: The Artist (Tate Britain, 11 September 2019–2 February 2020): An Interview with Martin Myrone |
53.1 |
summer 2019 |
|
Callixto, João Carlos See Sousa, Alcinda Pinheiro de, Cláudia Franco Souza, and João Carlos Callixto |
Candela, Gregory, Marta Field, and Foster
Foreman |
A Checklist of Recent Blake Scholarship |
7.1
|
summer 1973 |
11-15 |
Caplan, David |
Blake in Boca Raton [poem] |
30.1
|
summer 1996 |
22 |
Cardinale, Philip J., and Joseph Cardinale |
A Newly Discovered Blake Book: William Blake’s Copy of Thomas Taylor’s The Mystical Initiations; or, Hymns of Orpheus (1787) |
44.3 |
winter 2010–11 |
84-102 |
Carey, Frances |
Blake’s “Warring Angels” |
11.2
|
fall 1977 |
120-23 |
|
James Smetham (1821-1889) and Gilchrist’s
Life of Blake |
8.1-2
|
summer-fall 1974 |
17-25 |
Carretta, Vincent |
Blake’s Meheux? |
31.3
|
winter 1997–98 |
84 |
Castanedo, Fernando |
A Blake Riddle: The Diagonal Pencil Inscription in An Island in the Moon |
52.1 |
summer 2018 |
25 pars. |
|
Paper and Watermarks in Blake’s An Island in the Moon |
52.3 |
winter 2018–19 |
15 pars. |
See also Bentley, G. E., Jr., with the assistance of Hikari Sato and Fernando Castanedo |
See also Bentley, G. E., Jr., with the assistance of Hikari Sato, Li-Ping Geng, and Fernando Castanedo |
See also Ripley, Wayne C., with the assistance of Fernando Castanedo and Hikari Sato |
See also Ripley, Wayne C., with the assistance of Fernando Castanedo, Hikari Sato, and Hüseyin Alhas |
See also Ripley, Wayne C., with the assistance of Fernando Castanedo, Hikari Sato, Hüseyin Alhas, and Vera Serdechnaia |
Chang, Ching-erh See Bentley, G. E., Jr., with the assistance of Hikari Sato and Ching-erh Chang |
Chapman, Wes |
Blake, Wollstonecraft, and the Inconsistency
of Oothoon |
31.1
|
summer 1997 |
4-17 |
Chayes, Irene H. |
Blake and Tradition: “The Little Girl
Lost” and “The Little Girl Found” [response to review by Daniel Hughes in 3.3] |
4.1
|
Aug. 1970 |
25-28 |
|
Brief Ripostes [to John Beer in 6.1] |
6.1 |
summer 1972 |
23-24 |
|
A Rejoinder to John Beer [in 4.4] |
5.3
|
winter 1971–72 |
211-13 |
|
[Robed Figure in “The Little Boy Found”] |
1.2
|
Oct. 1967 |
6 |
Chen, Kang-Po |
Violence, Death, and Autoeroticism: The Alternative Self-Annihilation in Visions of the Daughters of Albion |
54.3 |
winter 2020–21 |
20 pars. |
Cherry, Charles L. |
William Blake and Mrs. Grundy: Suppression
of Visions of the Daughters of Albion |
4.1
|
Aug. 1970 |
6-10 |
Cheskin, Arnold |
The Echoing Greenhorn: Blake as Hebraist |
12.3
|
winter 1978–79 |
178-83 |
Cieszkowski, Krzysztof Z. |
“They murmuring divide; while the wind
sleeps beneath, and the numbers are counted in silence”: The Dispersal
of the Illustrations to Dante’s Divine Comedy |
23.3
|
winter 1989–90 |
166-71 |
Clarke, Mary |
The Job Ballet |
12.1
|
summer 1978 |
18-25 |
Colebrook, Claire |
Blake and Feminism: Romanticism and the Question of the
Other |
34.1
|
summer 2000
|
4-13
|
Connolly, Thomas E. |
Songs of Innocence Copy U |
6.4
|
spring 1973 |
96 |
|
Songs of Innocence, Keynes (1921) Copy
U, Keynes-Wolf (1953) Copy U |
7.4
|
spring 1974 |
88-89 |
Connolly, Thomas E., and George R. Levine |
Recognizing Mother [response to John
Grant in 1.2] |
1.3
|
Dec. 1967 |
17-18 |
Crehan, Stewart |
Blake, Context and Ideology [response to review by Stuart Peterfreund in 19.3] |
20.3
|
winter 1986–87 |
104-07 |
Crosby, Mark |
“Ah! Romney!”: Blake’s “Supernaculum” Portrait Engraving of George Romney |
47.3 |
winter 2013–14 |
20 pars. |
|
The Blake Memorial Window in St. Mary’s Church, Felpham |
46.3 |
winter 2012–13 |
6 pars. |
|
The Sketch on the Verso of Blake’s Self-Portrait: An Identification |
41.2 |
fall 2007 |
92-95 |
|
William Blake’s Miniature Portraits of the Butts Family |
42.4 |
spring 2009 |
147-52 |
Crosby, Mark, and Robert N. Essick |
“the fiends of Commerce”: Blake’s Letter to William Hayley, 7 August 1804 |
44.2 |
fall 2010 |
52-72 |
Crosby, Mark, Troy Patenaude, and Angus Whitehead |
William Blake and the Age of Revolution: An Appreciation, Checklist of Dissertations and Publications
|
40.2 |
fall 2006 |
72-74 |
Crossan, Greg |
Blake’s Maiden Queen in “The Angel” |
15.3
|
winter 1981–82 |
133-34 |
|
“Infant Sorrow” and Robert Greene’s Menaphon
|
19.4
|
spring 1986 |
142-43 |
Cummings, Frederic |
Blake at Detroit and Philadelphia [response to review by Anne Kostelanetz in 2.1] |
2.3
|
Dec. 1968 |
46-48 |
Curran, Stuart, and Joseph Anthony Wittreich, Jr. |
Some Additions to A Blake Bibliography |
3.1 |
June 1969 |
4-7, 20 |
Curtis, F. B. |
The Geddes Bible and the Tent of the
Eternals in The Book of Urizen |
6.4
|
spring 1973 |
93-94 |
Author | Title | Volume | Year | Pages |
Damon,
S. Foster |
How
I Discovered Blake |
1.3
|
Dec. 1967 |
2-3 |
Dargan,
Tom |
Blake
and Hayley in Wittreich’s Angel of Apocalypse |
10.4
|
spring 1977 |
130-35 |
Davidson,
Peter |
The
Music of the Ancients |
15.2
|
fall 1981 |
98-100 |
Davies, Keri |
Blake in the Times Digital Archive |
41.1 |
summer 2007 |
45-46 |
|
Jonathan Spilsbury and the Lost Moravian History of William Blake’s Family |
40.3 |
winter 2006–07 |
100-09 |
|
“Two Newly Discovered Advertisements”: A Response to Wayne C. Ripley [in 51.1] |
51.4 |
spring 2018 |
19 pars. |
|
William Blake’s Mother: A New Identification |
33.2 |
fall 1999 |
36-50 |
|
William
Muir and the Blake Press at Edmonton with Muir’s Letters to Kerrison
Preston |
27.1
|
summer 1993 |
14-25 |
Davies, Keri, and Marsha Keith Schuchard |
Recovering the Lost Moravian History of William Blake’s Family |
38.1 |
summer 2004 |
36-43 |
Davies, Michael See Paley, Morton D., assisted by Michael Davies |
Dawson,
P. M. S. |
Blake
and Providence: The Theodicy of The Four Zoas |
20.4
|
spring 1987 |
134-43 |
Deck,
Raymond H., Jr. |
An
American Original: Mrs. Colman’s Illustrated Printings of Blake’s Poems,
1843-44 |
11.1
|
summer 1977 |
4-18 |
|
Another
Early Printing of Blake’s “Night” |
12.1
|
summer 1978 |
69 |
|
“Blake, William” in the New American Cyclopedia (1861) |
12.1
|
summer 1978 |
68-69 |
|
Mr.
Rudall, the Flautist: An Authentic Blake Anecdote |
11.2
|
fall 1977 |
123 |
|
Unnoticed
Printings of Blake’s Poems, 1825-1851 |
10.4
|
spring 1977 |
125 |
De
Luca, V. A. |
Blake
and Burke in Astonishment! |
23.2
|
fall 1989 |
100-04 |
|
The
Changing Order of Plates in Jerusalem, Chapter II |
16.4
|
spring 1983 |
192-205 |
Denham,
Robert D. |
Northrop Frye, 1912-1991 |
24.4
|
spring 1991 |
158-59 |
Dilworth,
Thomas |
Blake’s
Argument with Newberry in “Laughing Song” |
14.1
|
summer 1980 |
36-37 |
|
Blake’s
Babe in the Woods |
11.1
|
summer 1977 |
35-37 |
Dörrbecker,
Detlef W. |
Blake
and His Circle: A Checklist of Recent Publications |
20.3
|
winter 1986–87 |
76-100 |
|
Blake
and His Circle: A Checklist of Recent Publications |
21.2
|
fall 1987 |
52-73 |
|
Blake
and His Circle: An Annotated Checklist of Recent Publications |
22.2
|
fall 1988 |
36-70 |
|
Blake
and His Circle: An Annotated Checklist of Recent Publications |
23.3
|
winter 1989–90 |
120-65 |
|
Blake and His Circle: An Annotated Checklist of Recent Publications |
25.1
|
summer 1991 |
4-59 |
|
Blake and His Circle: An Annotated Checklist of Recent Publications |
26.3
|
winter 1992–93 |
76-133 |
|
Gates
of Paradise and Quarles’ Emblems |
9.4
|
spring 1976 |
120 |
|
Grant’s
“Problems in Understanding”: Some Marginalia [response to John Grant in 18.3] |
18.3
|
winter 1984–85 |
185-90 |
|
Innocence
Lost and Found: An Untraced Copy Traced |
15.3
|
winter 1981–82 |
125-31 |
|
Jean
Paul Friedrich Richter and Blake’s Night Thoughts |
11.2
|
fall 1977 |
124-25 |
See also Minnick, Thomas L., and Detlef W. Dörrbecker |
See also
Minnick, Thomas L., with the assistance of Detlef W. Dörrbecker and Kazumitsu Watarai |
Dörrbecker,
Detlef W., and Marta Slowiková |
Some
Minor Additions to Bentley’s “Blake among the Slavs” |
12.3
|
winter 1978–79 |
198 |
Duerksen,
Roland A. |
Bromion’s
Usurped Power—Its Source, Essence, and Effect: A Replication [response to Mary V. Jackson and E. B. Murray in 8.3] |
8.3
|
winter 1974–75 |
95-96 |
|
A
Crucial Line in Visions of the Daughters of Albion |
6.3
|
winter 1972–73 |
72 |
Duff, David |
Muir’s Facsimiles and the Missing Visions |
37.1 |
summer 2003 |
32-34 |
Duplantier,
F. R. |
Method
in Blake’s “Mad Song” |
13.2
|
fall 1979 |
102-04 |
Author | Title | Volume | Year | Pages |
Easson, Roger R. |
Blake and the Contemporary Art Market |
4.4 |
spring 1971 |
137-39 |
Eaves, Morris |
Blake as Conceived:
The Endurance of S. Foster Damon |
21.4 |
spring 1988 |
132-37 |
|
Postscript: Blake’s Abnormal Psychology |
9.4 |
spring 1976 |
121-22 |
|
Reproducing The
Characters of Spenser’s Faerie Queene |
8.3 |
winter 1974–75 |
86-87 |
|
Teaching Blake’s Relief Etching |
13.3 |
winter 1979–80 |
140-47 |
Eldridge, Aethelred |
Reply to Morris Eaves’s
Review of The Dick and Jane [in 21.1] |
22.1 |
summer 1988 |
19 |
Erdman, David V. |
Blake’s Terrible Ease! |
1.4 |
March 1968 |
8 |
|
A Book to Eat |
15.4 |
spring 1982 |
170-75 |
|
The Bravery of William Blake |
10.1 |
summer 1976 |
27-31 |
|
Dating Blake’s Script: A Postscript |
3.2 |
Sept. 1969 |
42 |
|
Dating Blake’s Script:
The “g” Hypothesis |
3.1 |
June 1969 |
8-13 |
|
Errata Emendata: Second Printing, Erdman-Bloom Poetry and Prose of William Blake |
1.3 |
Dec. 1967 |
11-13 |
|
Errors in the 1973
Edition of The Notebook of William Blake and in the First Printing
of The Illuminated Blake |
9.2 |
fall 1975 |
39-40 |
|
Errors in the Signet Classic Edition of The
Selected Poetry of Blake |
11.1 |
summer 1977 |
37 |
|
Every Thing Has Its
Vermin |
2.4 |
April 1969 |
68 |
|
[Flaxman and Blake on Wordsworth] |
3.4 |
May 1970 |
105-06 |
|
The Four Zoas: New Text for Pages
5, 6, and 7, Night the First |
12.2 |
fall 1978 |
96-99 |
|
Improving the Text
of The Complete Poetry and Prose of William Blake |
20.2 |
fall 1986 |
49-52 |
|
Jerusalem 95: 2-20 |
2.3 |
Dec. 1968 |
49 |
|
Leonora, Laodamia,
and the Dead Ardours |
14.2 |
fall 1980 |
96-98 |
|
Let the Dead Ardours Live! [reply to David Bindman in 14.4] |
15.1 |
summer 1981 |
58-59 |
|
[Nightgowned Adult in “The Little Boy Found”; Errors and Emendations] |
1.1 |
June 1967 |
9 |
|
Night the Seventh:
The Editorial Problem |
12.2 |
fall 1978 |
135-39 |
|
On the Newly Rediscovered Blake Letter |
1.4 |
March 1968 |
12 |
|
Preface to the Revised
Edition of Blake’s Notebook |
11.1 |
summer 1977 |
21-23 |
|
Redefining the Texts of Blake (Another
Temporary Report) |
17.1 |
summer 1983 |
4-15 |
|
Revising Blake: Prophet for a New Edition |
2.2 |
Sept. 1968 |
24-25 |
|
South Bounding! |
13.2 |
fall 1979 |
106-07 |
Erle, Sibylle |
“Blake was a phenomenon”: Artistic, Domestic, and Blakean Visions in Joseph Paul Hodin’s Writing on Else and Ludwig Meidner |
55.3 |
winter 2021–22 |
36 pars. |
|
Lord Tennyson’s Copy of Blake’s Illustrations of the Book of Job (1826) |
49.2 |
fall 2015 |
9 pars. |
|
To See the Worlds of a Grain of Sand: Blake and Reception |
55.3 |
winter 2021–22 |
29 pars. |
Eron, Sarah |
“Bound … by their narrowing perceptions”: Sympathetic Bondage and Perverse Pity in Blake’s The Book of Urizen |
46.3 |
winter 2012–13 |
27 pars. |
Essick, Robert N. |
Attribution and Reproduction: Death Pursuing the Soul through the Avenues of Life |
45.2 |
fall 2011 |
66-70 |
|
Blake and Kate Greenaway |
40.1 |
summer 2006 |
44 |
|
Blake in the Marketplace, 1972-73 |
7.3 |
winter 1973–74 |
52-59 |
|
Blake in the Marketplace, 1974-75 |
10.2 |
fall 1976 |
53-59 |
|
Blake in the Marketplace, 1976-77 |
12.1 |
summer 1978 |
26-38 |
|
Blake in the Marketplace,
1980-1981 |
16.2 |
fall 1982 |
86-106 |
|
Blake in the Marketplace, 1982-1983 |
18.2 |
fall 1984 |
68-93 |
|
Blake in the Marketplace,
1984 |
19.1 |
summer 1995 |
24-38 |
|
Blake in the Marketplace, 1985 |
20.1 |
summer 1986 |
12-31 |
|
Blake in the Marketplace,
1986 |
21.1 |
summer 1987 |
4-14 |
|
Blake in the Marketplace, 1987 |
22.1 |
summer 1988 |
4-15 |
|
Blake in the Marketplace,
1988 |
23.1 |
summer 1989 |
4-19 |
|
Blake in the Marketplace, 1989, Including a Report on the Recently Discovered Blake-Varley Sketchbook |
24.1 |
summer 1990 |
4-21 |
|
Blake in the Marketplace, 1990 |
24.4 |
spring 1991 |
116-41 |
|
Blake in the Marketplace, 1991 |
25.4 |
spring 1992 |
144-67 |
|
Blake in the Marketplace, 1992 |
26.4 |
spring 1993 |
140-59 |
|
Blake in the Marketplace, 1993, Including
a Report on the Sale of the Frank Rinder Collection [see also the correction in 28.1] |
27.4 |
spring 1994 |
104-29 |
|
Blake in the Marketplace,
1994 |
28.4 |
spring 1995 |
120-41 |
|
Blake in the Marketplace, 1995, Including
a Survey of Blakes in Private Ownership [see also “The Missing Portions of ‘Blake in the Marketplace, 1995’” in 30.2] |
29.4 |
spring 1996 |
108-30 |
|
Blake in the Marketplace,
1996 |
30.4 |
spring 1997 |
100-20 |
|
Blake in the Marketplace, 1997 |
31.4 |
spring 1998 |
108-37 |
|
Blake in the Marketplace,
1998 |
32.4 |
spring 1999 |
92-113 |
|
Blake in the Marketplace, 1999 |
33.4 |
spring 2000 |
100-34 |
|
Blake in the Marketplace, 2000 |
34.4 |
spring 2001 |
100-28 |
|
Blake in the Marketplace, 2001 |
35.4 |
spring 2002 |
108-30 |
|
Blake in the Marketplace, 2002 |
36.4 |
spring 2003 |
116-37 |
|
Blake in the Marketplace, 2003 |
37.4 |
spring 2004 |
116-36 |
|
Blake in the Marketplace, 2004 |
38.4 |
spring 2005 |
124-50 |
|
Blake in the Marketplace, 2005 |
39.4 |
spring 2006 |
148-82 |
|
Blake in the Marketplace, 2006 |
40.4 |
spring 2007 |
116-46 |
|
Blake in the Marketplace, 2007 |
41.4 |
spring 2008 |
140-63 |
|
Blake in the Marketplace, 2008 |
42.4 |
spring 2009 |
116-46 |
|
Blake in the Marketplace, 2009 |
43.4 |
spring 2010 |
116-48 |
|
Blake in the Marketplace, 2010 |
44.4 |
spring 2011 |
116-42 |
|
Blake in the Marketplace, 2011 |
45.4 |
spring 2012 |
108-43 |
|
Blake in the Marketplace, 2012 |
46.4 |
spring 2013 |
|
|
Blake in the Marketplace, 2013 |
47.4 |
spring 2014 |
|
|
Blake in the Marketplace, 2014 |
48.4 |
spring 2015 |
|
|
Blake in the Marketplace, 2015 |
49.4 |
spring 2016 |
|
|
Blake in the Marketplace, 2016 |
50.4 |
spring 2017 |
|
|
Blake in the Marketplace, 2017 |
51.4 |
spring 2018 |
|
|
Blake in the Marketplace, 2018 |
52.4 |
spring 2019 |
|
|
Blake in the Marketplace, 2019 |
53.4 |
spring 2020 |
|
|
Blake in the Marketplace, 2020 |
54.4 |
spring 2021 |
|
|
Blake, Linnell, and
James Upton: An Engraving Brought to Light |
7.4 |
spring 1974 |
76-79 |
|
The Blakes at UCLA |
4.3 |
winter 1970–71 |
75-78 |
|
Blake’s 1812 Exhibition |
27.2 |
fall 1993 |
36-42 |
|
Blake’s “Enoch” Lithograph |
14.4 |
spring 1981 |
180-84 |
|
Blake’s Job: Some Unrecorded Proofs
and Their Inscriptions |
19.3 |
winter 1985–86 |
96-102 |
|
A Copy of Blake’s Adam and Eve Asleep [response to Martin Butlin in 51.1] |
51.2
|
fall 2017 |
6 pars. |
|
Corrections of the BMPR Handlist [in 5.4] |
8.3 |
winter 1974–75 |
90-91 |
|
Corrigenda [to Songs of Innocence and of Experience (Huntington Library, 2008)] |
42.3 |
winter 2008–09 |
111 |
|
Dating Blake’s “Enoch” Lithograph Once
Again |
22.2 |
fall 1988 |
71-73 |
|
A Finding List of Reproductions
of Blake’s Art [revised and expanded] |
5.1-2 |
winter 1971–72 |
1-160 |
|
The Figure in the Carpet: Blake’s Engravings
in Salzmann’s Elements of Morality |
12.1 |
summer 1978 |
10-14 |
|
A Finding List of Reproductions
of Blake’s Art |
3.2
|
Sept. 1969
|
24-41 |
|
A Finding List of Reproductions of Blake’s Art: Addenda to Part 1; Part 2 |
3.3 |
Dec. 1969 |
64-70 |
|
A Finding List of Reproductions of Blake’s Art: Parts 3 and 4 |
3.4 (part 2) |
May 1970 |
1-23, 1-3, 1-20 |
|
The Four Zoas: Intention and Production |
18.4 |
spring 1985 |
216-20 |
|
Handlist
of the Huntington Blake Collection |
11.4 |
spring 1978 |
236-59 |
|
Jerusalem 25: Some Thoughts on Technique [response to Deirdre Toomey in 6.2] |
7.3 |
winter 1973–74 |
64-66 |
|
The Missing Portions of “Blake in the Marketplace, 1995” |
30.2 |
fall 1996 |
62-63 |
|
New Information on
Blake’s Illuminated Books |
15.1 |
summer 1981 |
4-13 |
|
The Printings of Blake’s Dante Engravings |
24.3 |
winter 1990–91 |
80-90 |
|
A Relief Etching of Blake’s Virgil Illustrations |
25.3 |
winter 1991–92 |
117-27 |
|
The Resurrection of America Copy
R |
21.4 |
spring 1988 |
138-42 |
|
A (Self?) Portrait of William Blake |
39.3 |
winter 2005–06 |
126-39 |
|
A (Self?) Portrait of William Blake [corrigendum] |
39.4 |
spring 2006 |
182 |
|
Some Unrecorded States,
Printings, and Impressions of Blake’s Graphic Works |
17.4 |
spring 1984 |
130-38 |
|
Songs Copy h |
15.1 |
summer 1981 |
59-60 |
|
A Supplement to The
Separate Plates of William Blake: A Catalogue |
17.4 |
spring 1984 |
139-44 |
|
“What is the price of Experience do men buy it for a Song”: Blake at Auction 1971 |
5.3 |
winter 1971–72 |
183-84 |
|
William Blake and John Marsh |
25.2 |
fall 1991 |
70-74 |
|
William Blake’s A Pastoral Figure: Some Newly Revealed Verso Sketches |
39.1 |
summer 2005 |
44-47 |
Essick, Robert N.,
and Jenijoy La Belle |
The Blakes at Their Press |
49.3 |
winter 2015–16 |
8 pars. |
|
A Sketch by Robert Blake Revealed |
50.2 |
fall 2016 |
8 pars. |
Essick, Robert N.,
with Thomas V. Lange |
Blake in the Marketplace,
1978-79 |
14.1 |
summer 1980 |
4-21 |
Essick, Robert N., and Rosamund A. Paice |
Newly Uncovered Blake Drawings in the British Museum |
37.3 |
winter 2003–04 |
84-100 |
Essick, Robert N., and Morton D. Paley |
“Dear Generous Cumberland”: A Newly Discovered
Letter and Poem by William Blake |
32.1 |
summer 1998 |
4-13 |
Essick, Robert N., and Joseph Viscomi |
Blake’s Method of Color Printing: Some Responses and Further Observations |
36.2 |
fall 2002 |
49-64 |
|
An Inquiry into William Blake’s Method of Color Printing |
35.3 |
winter 2001–02 |
74-103 |
Essick, Robert N., and Michael C. Young |
Blake’s “Canterbury” Print: The Posthumous Pilgrimage of the Copperplate |
15.2 |
fall 1981 |
78-82 |
See also Crosby, Mark, and Robert N. Essick |
Evans, James C. |
Blake, Locke, and the
Concept of “Generation” |
9.2 |
fall 1975 |
47-48 |
Evans, Mark See Townsend, Joyce H., Bronwyn Ormsby, Julia Jönsson, and Mark Evans |
Author | Title | Volume | Year | Pages |
Fairbanks, A. Harris
|
Blake, Burke, and the Clanrickard
Monument
|
31.3
|
winter 1997–98
|
76-81
|
Farwell, Brice |
More Than Music Composed
after Blake by Arthur Farwell |
11.2
|
fall 1977 |
86-103 |
Fawcus, Arnold |
Early States of the Job Series |
4.4
|
spring 1971 |
150 |
Feldman, Paula R. |
Felicia Hemans and
the Mythologizing of Blake’s Death |
27.3
|
winter 1993–94 |
69-72 |
Ferber, Michael |
Blake for Children |
35.1
|
summer 2001 |
22-24 |
|
Blake’s “Jerusalem” as a Hymn |
34.3
|
winter 2000–01 |
82-94 |
|
Mars and the Planets
Three in America |
15.3
|
winter 1981–82 |
136-37 |
|
The Orthodoxy of Blake
Footnotes |
32.1
|
summer 1998 |
16-19 |
|
A Possible Source for
“Thel’s Motto” |
9.2
|
fall 1975 |
43-44 |
|
“Thel’s Motto”: Likely and Unlikely Sources [response to Michael Tolley in 10.1] |
10.1
|
summer 1976 |
36-38 |
Ferguson, James B.,
Frank M. Parisi, and Michael Phillips |
A Bibliography of Blake
Scholarship in the United Kingdom, 1972-73 |
7.2
|
fall 1973 |
44-46 |
Field, Marta See Candela, Gregory, Marta Field, and Foster Foreman |
Fitch, Donald |
Blake Set to Music: Supplement 2001 |
35.2
|
fall 2001 |
40-61 |
Fletcher, Ian, ed. |
John Todhunter’s Lectures
on Blake, 1872-1874 |
8.1-2
|
summer-fall 1974 |
4-14 |
Fletcher, Joseph |
Ocean Growing: Blake’s Two Versions of Newton and the Emerging Polypus |
49.3
|
winter 2015–16 |
38 pars. |
Flores, Cristina |
“Sick as a Rose”: William Blake in Leopoldo María Panero’s Poetry of Experience |
55.3
|
winter 2021–22 |
11 pars. |
Folsom, L. Edwin |
Nobodaddy: Through
the Bottomless Pit, Darkly |
9.2
|
fall 1975 |
45-46 |
Foreman, Foster, et al. |
A Checklist of Blake Scholarship, October 1970-March 1972 |
5.3 |
winter 1971–72 |
214-19 |
See also Candela, Gregory, Marta Field, and Foster Foreman |
Fosso, Kurt |
Blake’s “Introduction” and Hesiod’s Theogony |
47.1 |
summer 2013 |
9 pars. |
Franson, J. Karl |
The Serpent-Driving
Females in Blake’s Comus 4 |
12.3
|
winter 1978–79 |
164-77 |
Freed, Eugenie R. |
“In the Darkness of
Philisthea”: The Design of Plate 78 of Jerusalem |
32.3
|
winter 1998–99 |
60-73 |
|
“Sun-Clad Chastity” and Blake’s “Maiden Queens”: Comus, Thel, and “The Angel” |
25.3
|
winter 1991–92 |
104-16 |
Freedman, Linda |
Blake, Duncan, and the Politics of Writing from Myth |
47.2 |
fall 2013 |
46 pars. |
Frosch, Thomas R. |
An Analogue to the “Greatest Men” Passage in The Marriage of Heaven and Hell |
40.3 |
winter 2006–07 |
110-11 |
Frost, Everett |
A Checklist of Blake
Slides [see also the erratum in 9.4] |
9.1
|
summer 1975 |
4-28 |
See also Tayler,
Edward W.; Everett C. Frost |
Author | Title | Volume | Year | Pages |
Gabriella, Katharyn R. |
Los’s Visit [poem] |
12.4
|
spring 1979 |
266 |
Geng, Li-Ping See Bentley, G. E., Jr., with the assistance of Hikari Sato and Li-Ping Geng |
See also Bentley, G. E., Jr., with the assistance of Hikari Sato, Li-Ping Geng, and Fernando Castanedo |
Ghiță, Cătălin |
William Blake’s Black Bible as a Spectacle of Doom: A Recent Note to Blakean Reception in Romania |
55.3
|
winter 2021–22 |
18 pars. |
Gibson,
William A., and Thomas L. Minnick |
William
Blake and Henry Emlyn’s Proposition for a New Order in Architecture:
A New Plate |
6.1
|
summer 1972 |
12-17 |
Ginsberg, Allen |
To Young or Old Listeners: Setting Blake’s Songs to Music, and a Commentary on the Songs |
4.3
|
winter 1970–71 |
98-103 |
Glausser, Wayne |
The Gates of Memory
in Night VIIa of The Four Zoas |
18.4
|
spring 1985 |
196-203 |
|
Milton and the Pangs of Repentance |
13.4
|
spring 1980 |
192-99 |
Gleckner, Robert F. |
Blake and Fuseli in
a Student’s Letter Home |
6.3
|
winter 1972–73 |
71 |
|
Blake’s
Illustration of the Third Temptation in Paradise Regained |
11.2
|
fall 1977 |
126-27 |
|
Blake’s Miltonizing
of Chatterton |
11.1
|
summer 1977 |
27-29 |
|
Blake’s
Swans |
15.4
|
spring 1982 |
164-69 |
|
Blake’s “The Tyger” and Edward Young’s Book of Job |
21.3
|
winter 1987–88 |
99-101 |
|
Priestley
and the Chameleon Angel in The Marriage of Heaven and Hell |
13.1
|
summer 1979 |
37-39 |
|
W. J. Linton’s Tailpieces
in Gilchrist’s Life of William Blake |
14.4
|
spring 1981 |
208-11 |
Goldstein,
Laurence |
Sermon
by Mr. Blake, for S. Foster Damon [poem] |
1.3
|
Dec. 1967 |
5 |
Gorham, Laura |
A Checklist of Blake Scholarship, June 1969-September 1970 [see the additions and corrections in 4.3] |
4.2 |
fall 1970 |
51-59 |
Gourlay, Alexander S. |
Blake and Bonasone |
25.3
|
winter 1991–92 |
138-39 |
|
An
Emendation in “The Chimney Sweeper” of Innocence |
17.1
|
summer 1983 |
16-17 |
|
“Friendship,” Love, and Sympathy in Blake’s Grave Illustrations |
37.3 |
winter 2003–04 |
100-04 |
|
“Man on a Drinking Horse”: A Print by Thomas Butts, Jr. |
37.1 |
summer 2003 |
35-36 |
|
A New Colored Copy
of Night Thoughts at Smith College |
28.3
|
winter 1994–95 |
100 |
|
An Overannotated “Auguries of Innocence” |
54.2
|
fall 2020 |
|
|
Philip D. Sherman’s Blakes at Brown University |
28.3 |
winter 1994–95 |
94-99 |
|
Six Illustrations by Stothard |
25.3 |
winter 1991–92 |
135 |
Goyder,
George |
The Origins of the William Blake Trust |
21.4
|
spring 1988 |
150-51 |
|
An Unpublished Poem
about Blake by William Bell Scott |
10.4
|
spring 1977 |
125 |
Grant,
John E. |
Blake’s Designs for L’Allegro and Il Penseroso, with Special Attention to L’Allegro 1, “Mirth and Her Companions” |
4.4 |
spring 1971 |
117-34 |
|
Discussing the Arlington
Court Picture. Part 1: A Report on the Warner-Simmons Theory
|
3.4
|
May 1970 |
96-105 |
|
Discussing the Arlington Court Picture. Part 2: Studying Blake’s Iconography for Guidance in Interpreting the Picture |
4.1 |
Aug. 1970 |
12-25 |
|
[Druids in Annandale] |
1.2 |
Oct. 1967 |
6 |
|
The Meaning
of Mirth and Her Companions in Blake’s
Designs for L’Allegro and Il Penseroso |
5.3
|
winter 1971–72 |
190-202 |
|
Mother of Invention, Father in Drag [response to Thomas E. Connolly and George R. Levine in 1.3] |
2.2 |
Sept. 1968 |
29-32 |
|
Mothers and Methodology [continued from 2.2] |
2.3 |
Dec. 1968 |
50-54 |
|
On
First Encountering Blake’s Good Samaritans |
33.3
|
winter 1999–2000 |
68-95 |
|
On Mary Ellen Reisner’s
“Locations of Copy U of Songs of Innocence and Copy d of Songs
of Innocence and of Experience” [in 5.3] |
6.1
|
summer 1972 |
22 |
|
Recognizing
Fathers [response to Thomas E. Connolly and George R. Levine in PMLA] |
1.2 |
Oct. 1967 |
7-9 |
|
A Re-View of Some Problems
in Understanding Blake’s Night Thoughts |
18.3
|
winter 1984–85 |
155-81 |
|
Some
Drawings Related to Blake’s Night Thoughts Designs: The Coda Sketch and
Two Pictures Not Previously Connected with the Series |
16.1
|
summer 1982 |
7-11 |
Grant,
John E., and Robert E. Brown |
Blake’s
Vision of Spenser’s Faerie Queene: A Report and an Anatomy |
8.3
|
winter 1974–75 |
56-85 |
Grant, John E., and
Mary Lynn Johnson |
Illuminated Books in
the Cincinnati Art Museum |
7.2
|
fall 1973 |
40-43 |
See also Johnson,
Mary Lynn, and John E. Grant |
Grant,
Philip B. |
A Possible Source for a Blake Sketch and Drawing |
10.3
|
winter 1976–77 |
85-87 |
Graver, Bruce E. |
New Voice on Blake |
24.3
|
winter 1990–91 |
91-94 |
Graziano,
Frank |
The
Last Judgement [poem] |
12.1
|
summer 1978 |
40-41 |
Gross, Kenneth |
Blake and Bloom, a Memorial Note |
53.3
|
winter 2019–20 |
|
Gross, Rochelle C., and C. M. Henning |
Dissertations on Blake: 1963–1975 |
11.1 |
summer 1977 |
54-59 |
Grotz, Jennifer |
The Ladder [poem] |
43.2 |
fall 2009 |
79 |
Groves, David |
Blake and the Edinburgh Evening Post |
26.2
|
fall 1992 |
51 |
|
Blake and the Edinburgh Literary Gazette—with a Note on Thomas De Quincey |
25.3
|
winter 1991–92 |
133-35 |
|
Blake and the Sheffield Iris |
39.3 |
winter 2005–06 |
125 |
|
Blake,
the Edinburgh Literary Journal, and James Hogg |
32.1
|
summer 1998 |
14-16 |
|
Blake, The Grave, and Edinburgh Literary Society |
24.1
|
summer 1990 |
35-36 |
|
Blake,
Thomas Boston, and the Fourfold Vision |
19.4
|
spring 1986 |
142 |
|
“Great and Singular Genius”: Further References to Blake (and Cromek) in the Scots Magazine |
39.1 |
summer 2005 |
47-48 |
|
John Clerk, Esq. |
24.3
|
winter 1990–91 |
94-95 |
|
“This Class of Impostors”: Robert Cromek’s View of London Booksellers and Engravers |
40.1 |
summer 2006 |
45 |
Gu, Jing-Yu |
Unlisted Articles on
Blake Published in China |
17.4
|
spring 1984 |
157-59 |
Author | Title | Volume | Year | Pages |
Hagan,
Jade |
Network Theory and Ecology in Blake’s Jerusalem |
53.3
|
winter 2019–20 |
38 pars. |
Hagen, Katharina |
“If you want to learn the secrets, close your eyes”: Bruce Dickinson’s “Gates of Urizen” as Contrary Version of The [First] Book of Urizen |
54.3
|
winter 2020–21 |
20 pars. |
Hagstrum,
Jean H. |
More on The Romantic Body [response to review by Anne Mellor in 21.1] |
21.1
|
summer 1987 |
16-17 |
|
Richardson
and Blake |
18.4
|
spring 1985 |
236-37 |
Haigney, Catherine |
Reply
to Andrew Lincoln [in 21.2] |
21.2
|
fall 1987 |
77 |
|
Vala’s Garden in Night
the Ninth: Paradise Regained or Woman Bound? |
20.4
|
spring 1987 |
116-24 |
Hamlyn, Robin See Butlin, Martin, and Robin Hamlyn |
Harding, Gunnar |
Two
Poems [trans. from the Swedish by Gunnel Tottie] |
12.1
|
summer 1978 |
39-40 |
Helms, Randel |
Another Source for
Blake’s Orc |
15.4
|
spring 1982 |
198-99 |
Henning,
C. M. |
Blake’s
Baptismal Font |
11.1
|
summer 1977 |
38 |
See also Gross, Rochelle C., and C. M. Henning |
Henry, Lauren G. |
Sunshine and Shady
Groves: What Blake’s “Little Black Boy” Learned from African Writers |
29.1
|
summer 1995 |
4-11 |
Heppner,
Christopher |
Another
Cumberland Bibliography Addendum |
12.4
|
spring 1979 |
261-62 |
|
Another “New”Blake
Engraving: More about Blake and William Nicholson |
12.3
|
winter 1978–79 |
193-97 |
|
Bathsheba Revisited |
36.3 |
winter 2002–03 |
76-91 |
|
Blake
and the Novelists |
15.4
|
spring 1982 |
198 |
|
Blake and the Seaman’s
Recorder: The Letter and the Spirit in a Problem of Attribution |
12.1
|
summer 1978 |
15-17 |
|
Blake’s
“The New Jerusalem Descending”: A Drawing (Butlin #92) Identified |
20.1
|
summer 1986 |
4-11 |
|
The Chamber of Prophecy: Blake’s A Vision (Butlin #756) Interpreted |
25.3
|
winter 1991–92 |
127-31 |
|
The Good (in Spite of What You May Have Heard) Samaritan |
25.2
|
fall 1991 |
64-69 |
|
The New Jerusalem Defended [response to Michael J. Tolley in 20.3] |
20.3
|
winter 1986–87 |
102-04 |
|
Notes
on Some Items in the Blake Collection at McGill with a Few Speculations
around William Roscoe |
10.4
|
spring 1977 |
100-08 |
|
“Under the Hill”: Tyndale
or Bunyan? |
23.4
|
spring 1990 |
200-01 |
|
The
Woman Taken in Adultery: An Essay on Blake’s “Style of Designing” |
17.2
|
fall 1983 |
44-60 |
Herrstrom, David Sten |
Blake’s Transformations
of Ezekiel’s Cherubim Vision in Jerusalem |
15.2
|
fall 1981 |
64-77 |
Hertz, Niels Christian |
[Suggestion in Connection with Previous Discussion of “The Little Boy Found”] |
2.3
|
Dec. 1968 |
54 |
Hilton,
Nelson |
Blake
and the Mountains of the Mind |
14.4
|
spring 1981 |
196-204 |
|
Fellow Travelers .
. . |
23.4
|
spring 1990 |
204 |
|
A
Note on Cowper and “A Poison Tree” |
12.3
|
winter 1978–79 |
203 |
|
Pudendaddendum [to his “Some Sexual Connotations” in 16.3] |
18.4
|
spring 1985 |
235-36 |
|
The
Shock of the New Blake |
15.2
|
fall 1981 |
103 |
|
Some Sexual Connotations |
16.3
|
winter 1982–83 |
166-71 |
|
The
Sweet Science of Atmospheres in The Four Zoas |
12.2
|
fall 1978 |
80-86 |
|
“Under the Hill” |
22.1
|
summer 1988 |
16-17 |
|
Waxed in Blake |
43.3 |
winter 2009–10 |
110-11 |
|
www.english.uga.edu/wblake |
33.1
|
summer 1999 |
11-16 |
Hoagwood, Terence Allan |
The Four Zoas
and “The Philosophick Cabbala” |
12.2
|
fall 1978 |
87-90 |
Hobson, Christopher Z. |
Blake, Methodism, and “Christian Perfection” |
55.2
|
fall 2021 |
47 pars. |
|
Blake, Paul, and Sexual Antinomianism |
52.3
|
winter 2018–19 |
37 pars. |
Hollis,
Hilda |
Seeing
Thel as Serpent |
30.3
|
winter 1996–97 |
87-90 |
Hoover, Suzanne R. |
[Blake’s Engravings for Captain John Steadman’s Narrative, of a Five Years’ Expedition] |
1.1
|
June 1967 |
7-8 |
|
Fifty Additions to
Blake Bibliography: Further Data for the Study of His Reputation in the Nineteenth Century |
5.3
|
winter 1971–72 |
167-72 |
|
Pictures
at the Exhibitions |
6.1
|
summer 1972 |
6-12 |
|
The Public Reception
of Gilchrist’s Life of Blake |
8.1-2
|
summer-fall 1974 |
26-31 |
Howell, John |
An Early, Hand-made Facsimile of the Songs of Innocence and of Experience [see also the note in 2.1] |
1.4
|
March 1968 |
10-11 |
Author | Title | Volume | Year | Pages |
La
Belle, Jenijoy |
Blake
and Morland: The First State of “The Industrious Cottager” |
12.4
|
spring 1979 |
258-61 |
|
Blake’s Bald Nudes |
24.2
|
fall 1990 |
52-58 |
|
Blake’s
Insanity: An Unrecorded Early Reference |
15.2
|
fall 1981 |
100-01 |
|
Michelangelo’s
Sistine Frescoes and Blake’s 1795 Color-Printed Drawings: A Study in Structural
Relationships |
14.2
|
fall 1980 |
66-84 |
|
A
Pencil Sketch for Blake’s Dante Illustrations |
19.2
|
fall 1985 |
73-74 |
|
A Reprinting of Blake’s Portrait of Thomas Alphonso Hayley |
25.3
|
winter 1991–92 |
136-38 |
See also Essick, Robert N., and Jenijoy La Belle |
Lange,
Thomas V. |
Blake
in American Almanacs |
14.2
|
fall 1980 |
94-96 |
|
An Engraving of Wollstonecraft after Opie |
13.1
|
summer 1979 |
36-37 |
|
A
Rediscovered Colored Copy of Young’s Night Thoughts |
15.3
|
winter 1981–82 |
134-36 |
|
Two
Forged Plates in America Copy B |
16.4
|
spring 1983 |
212-16 |
See also Essick, Robert N., with Thomas V. Lange |
Larrissy,
Edward |
Blake
and the Hutchinsonians |
20.2
|
fall 1986 |
44-47 |
Latham,
Jacqueline E. M. |
The
Arlington Court Picture |
29.1
|
summer 1995 |
24 |
Lefebvre,
Mark S. |
A
Note on the Structural Necessity of Night VIIb |
12.2
|
fall 1978 |
134 |
Lehrer, Ruth Fine |
A Checklist of Blake Material in the Lessing J. Rosenwald Collection, Alverthorpe Gallery, Jenkintown, Pennsylvania |
9.3 |
winter 1975–76 |
58-85 |
Levine,
George R. See Connolly, Thomas E., and George R. Levine |
Lincoln,
Andrew |
The
Four Zoas: The Text of Pages 5, 6, and 7, Night the First |
12.2
|
fall 1978 |
91-95 |
|
The
Revision of the Seventh and Eighth Nights of The Four Zoas |
12.2
|
fall 1978 |
114-33 |
|
To
the Editors [corrections to his edition of the Songs] |
27.2
|
fall 1993 |
45 |
|
Vala’s
Garden [response to Catherine Haigney in 20.4] |
21.2
|
fall 1987 |
77 |
Lindsay,
David W., and M. A. L. Locherbie-Cameron |
“Malden”
in Blake’s Jerusalem |
22.4
|
spring 1989 |
136-39 |
Linkin,
Harriet Kramer |
Revisioning
Blake’s Oothoon |
23.4
|
spring 1990 |
184-94 |
Lister,
Raymond |
Blake’s
Appearance in a Textbook on Insanity |
9.4
|
spring 1976 |
120-21 |
|
Calvert’s
“Lady and the Rooks” and Cornish Scenes |
10.1
|
summer 1976 |
34 |
|
A
Fragmentary Copy of Songs of Innocence and of Experience |
6.1
|
summer 1972 |
19 |
|
A
Letter from Benjamin Disraeli to Anne Gilchrist |
14.2
|
fall 1980 |
99 |
|
The
National Gallery and Blake’s “Spiritual Form of Pitt Guiding Behemoth” |
17.3
|
winter 1983–84 |
105-06 |
|
A Reply to Martin Butlin [in 19.4, which was a response to a review by Lister in 19.2] |
20.2 |
fall 1986 |
52 |
|
Two
Blake Drawings and a Letter from Samuel Palmer |
6.2
|
fall 1972 |
53-54 |
|
William
Muir |
20.2
|
fall 1986 |
49 |
Locherbie-Cameron,
M. A. L. See Lindsay, David W., and M. A. L. Locherbie-Cameron |
Łuczyńska-Hołdys, Małgorzata |
“Life exhal’d in milky fondness”—Becoming a Mother in William Blake’s The Book of Thel |
46.4 |
spring 2013 |
29 pars. |
Lyle,
Janice S. |
Handlist
of the Essick Blake Collection |
11.4
|
spring 1978 |
216-35 |
Author | Title | Volume | Year | Pages |
M. |
Holy Thursday |
11.1 |
summer 1977 |
38-40 |
Macmillan, Malcolm Kingsley |
Dialogue between Blake and Wordsworth [fiction] |
8.1-2
|
summer-fall 1974 |
38-41 |
Magno, Cettina |
The Four Zoas
for Italy |
12.2
|
fall 1978 |
140-41 |
Maheux, Anne |
An Analysis of the Watercolor Technique
and Materials of William Blake |
17.4
|
spring 1984 |
124-29 |
Malmqvist, Göran |
The Dean of Morocco
= George Cumberland? |
13.2
|
fall 1979 |
109 |
Malmqvist, N. G. D. |
Blake in China |
13.1
|
summer 1979 |
24-28 |
Mann, Paul |
The Final State of
The Four Zoas |
18.4
|
spring 1985 |
204-15 |
|
Finishing Blake |
22.4
|
spring 1989 |
139-42 |
Mansanti, Céline |
William Blake in transition Magazine (Paris, 1927–38): The Modalities of a Blake Revival in France during the 1920s and 1930s |
43.2 |
fall 2009 |
52-60 |
Mazzeo, Tilar Jenon |
Verbal Echoes of Cumberland’s Thoughts on Outline, Sculpture, and the System that Guided the Ancients (1796) in Jerusalem |
35.1
|
summer 2001 |
24-26 |
McCollister, Deborah |
The Seduction of Self-Abnegation
in The Book of Thel [see also the note of corrigenda from the editors in 31.1] |
30.3
|
winter 1996–97 |
90-94 |
McCord, James |
An Unrecorded Colored Copy of Young’s
Night Thoughts |
18.2
|
fall 1984 |
116-18 |
McGann, Jerome J. |
Staging The Marriage
of Heaven and Hell |
5.3
|
winter 1971–72 |
182-83 |
McNally, Paul See Bouwer, Izak, and Paul McNally |
McQuail, Josephine |
An Unpublished Poem
by S. Foster Damon |
19.2
|
fall 1985 |
72 |
Mellor, Anne K. |
Blake’s Portrayal of Women |
16.3
|
winter 1982–83 |
148-55 |
|
MLA Blake 1978 |
12.3 |
winter 1978–79 |
218-19 |
|
Response to Helen P. Bruder [in 42.2] |
42.2 |
fall 2008 |
79 |
Mercier, Vivian |
Blake Echoes in Victorian
Dublin |
11.1
|
summer 1977 |
32-34 |
Mertz, J. B. |
Gilbert Dyer: An Early Blake Vendor? |
40.4 |
spring 2007 |
147-49 |
|
The Responses of William Blake and Joseph Priestley to Two Swedenborgian Ideas |
47.2 |
fall 2013 |
5 pars. |
|
An Unrecorded Copy of Blake’s 1809 Chaucer
Prospectus |
32.3
|
winter 1998–99 |
73-74 |
Metcalf, Francis Wood |
Reason and “Urizen”:
The Pronunciation of Blakean Names |
6.1
|
summer 1972 |
17-18 |
|
Tiriel: Two Corrected First Readings |
9.2
|
fall 1975 |
40-41 |
|
Toward a More Accurate
Description of the Tiriel Manuscript |
4.1
|
Aug. 1970 |
10-11 |
Michael, Jennifer Davis |
Eternity in the Moment: William Blake and Mary Oliver |
45.2 |
fall 2011 |
44-50 |
Middleman, Louis |
“Bring out number, weight & measure in a year of dearth” |
4.4 |
spring 1971 |
147 |
Miner, Paul |
“Bad” Queens, “Good” Queens, and George III (as His Satanic Majesty) |
48.4 |
spring 2015 |
27 pars. |
|
Blake’s Design of Nebuchadnezzar |
44.2 |
fall 2010 |
75-78 |
|
Blake’s London |
2.4 |
April 1969 |
74 |
|
denouement [poem] |
45.4 |
spring 2012 |
144 |
|
Francis Quarles’s Influence on Europe 11 |
47.4 |
spring 2014 |
5 pars. |
|
[Paul Miner on Blake’s Star-Moon Symbolism] |
1.1 |
June 1967 |
9 |
|
A Possible Sketch of Blake’s Napoleon |
43.2 |
fall 2009 |
76-77 |
Minnick, Thomas L. |
Blake and “Cowper’s Tame Hares” |
4.1
|
Aug. 1970 |
11-12 |
|
Blake Items in the
Library of Isaac Reed |
3.4
|
May 1970 |
89 |
|
A Checklist of Recent Blake Scholarship |
10.2
|
fall 1976 |
59-62 |
|
A New Rossetti Letter |
5.3
|
winter 1971–72 |
181-82 |
Minnick, Thomas L.,
and Detlef W. Dörrbecker |
Blake and His Circle:
A Checklist of Recent Publications |
17.2
|
fall 1983 |
62-76 |
|
Blake and His Circle: A Checklist of
Recent Publications |
18.2
|
fall 1984 |
100-15 |
|
Blake and His Circle:
A Checklist of Recent Scholarship |
15.2
|
fall 1981 |
83-93 |
|
Blake and His Circle: A Checklist of
Recent Scholarship |
16.2
|
fall 1982 |
111-20 |
Minnick, Thomas L.,
with the assistance of Detlef W. Dörrbecker |
A Checklist of Recent
Blake Scholarship |
12.2
|
fall 1978 |
142-49 |
|
A Checklist of Recent Blake Scholarship 1976-1977 |
11.2 |
fall 1977 |
104-09 |
Minnick, Thomas L., with the assistance of Detlef W. Dörrbecker
and Kazumitsu Watarai |
Blake and His Circle: A Checklist of
Recent Scholarship |
13.2
|
fall 1979 |
91-99 |
|
Blake and His Circle:
A Checklist of Recent Scholarship |
14.2
|
fall 1980 |
85-93 |
See also Gibson, William A., and Thomas L. Minnick |
Minot, Walter S. |
Blake’s “Infant Joy”: An Explanation of Age |
25.2
|
fall 1991 |
78 |
Mitchell, W. J. T. |
Blake’s Visions of the Last Judgment: Some Problems in Interpretation |
9.2b
|
Dec. 1975 |
|
|
Reply to John Grant [in 18.3] |
18.3
|
winter 1984–85 |
181-83 |
Möhring, Hans-Ulrich |
Whose Head? |
34.1
|
summer 2000 |
24 |
Morgan, Richard, with supplementary notes by G. E. Bentley, Jr. |
A Handlist of Works by William Blake in the Department of Prints and Drawings of the British Museum |
5.4 |
spring 1972 |
224-58 |
Morkan, Joel |
Blake’s “Ancient Forests of Europe” |
6.4
|
spring 1973 |
93 |
|
Milton’s Eikonoklastes
and Blake’s Mythic Geography: A Parallel |
7.4
|
spring 1974 |
87, 89 |
Moss, W. E. |
The Coloured Copies of Blake’s “Night Thoughts” |
2.2
|
Sept. 1968 |
19-23 |
Moyer, James F. |
“The Daughters Weave their Work in loud cries”: Blake, Slavery, and Cotton |
48.3
|
winter 2014–15 |
33 pars. |
Mulhallen, Karen |
The Crying of Lot 318; or, Young’s Night
Thoughts Colored Once More |
19.2
|
fall 1985 |
71-72 |
|
The Publisher Not Mad [Richard Edwards] |
53.4 |
spring 2020 |
6 pars. |
|
Remembrance: G. E. Bentley, Jr. |
51.2 |
fall 2017 |
|
|
Remembrance: Janet Adele Warner |
40.1 |
summer 2006 |
46-47 |
Murray, E. B. |
“Bound Back to Back
in Bromion’s Cave” [response to Roland A. Duerksen in 6.3] |
8.3
|
winter 1974–75 |
94 |
|
1974 Blake Seminar |
9.4
|
spring 1976 |
120 |
|
A Suggested Redating
of a Blake Letter to Thomas Butts |
13.3
|
winter 1979–80 |
148-51 |
Myrone, Martin |
William Blake as a Student of the Royal Academy: A Prosopographical Perspective |
51.2
|
fall 2017 |
|
Author | Title | Volume | Year | Pages |
Paice, Rosamund A. |
Encyclopaedic Resistance: Blake, Rees’s Cyclopædia, and the Laocoön Separate Plate |
37.2 |
fall 2003 |
44-62 |
See also Essick, Robert N., and Rosamund A. Paice |
Paley, Morton D. |
“All his neighbourhood bewail his loss”: Bo Ossian Lindberg, 1937–2021 |
55.2 |
fall 2021 |
|
|
“And the sun dial by Blake” (Butlin #374A) |
43.3 |
winter 2009–10 |
105-06 |
|
Blake and Thomas Burnet’s Sacred Theory of the Earth |
25.2
|
fall 1991 |
75-78 |
|
[Blake Courses] |
1.2
|
Oct. 1967 |
6 |
|
Blakes at Buffalo |
4.3 |
winter 1970–71 |
81-86 |
|
Blake’s Headgear: The Seventh Head of the Beast in Night Thoughts 345 |
24.4
|
spring 1991 |
142-44 |
|
[Blake’s Visions of the Last Judgment: Plates and Editorial Note] |
9.2b
|
Dec. 1975 |
|
|
A Checklist of Blake Publications, June ’67 to May ’68 [additions to the checklist are in 2.2 and corrections in 2.3] |
2.1 |
June 1968 |
6-8, 14 |
|
Corrections for the Blake Trust Jerusalem |
26.1
|
summer 1992 |
34 |
|
The Critical Reception
of A Critical Essay |
8.1-2
|
summer-fall 1974 |
32-37 |
|
Europe iii: 18 |
1.3
|
Dec. 1967 |
16, 18 |
|
Further Thoughts on
Night Thoughts |
18.3
|
winter 1984–85 |
183-84 |
|
George Romney and Ozias Humphry as Collectors of William Blake’s Illuminated Printing |
50.3
|
winter 2016–17 |
49 pars. |
|
[The Idea of Having a Blake Newsletter] |
1.1
|
June 1967 |
1 |
|
John Trivett Nettleship
and His “Blake Drawings” |
14.4
|
spring 1981 |
185-94 |
|
The Last Judgment by “B. Blake” |
41.3 |
winter 2007–08 |
135 |
|
The Last Judgment by “B. Blake” [corrigendum] |
41.4 |
spring 2008 |
163 |
|
The Man Who Married the Blakes |
42.4 |
spring 2009 |
153-55 |
|
[“Menny wouver”] |
2.3 |
Dec. 1968 |
58 |
|
MLA Blake Seminar 1975 |
9.2b |
Dec. 1975 |
|
|
Mr. Blake’s Spectacles, at the Fitzwilliam
Museum, Cambridge [poem] |
12.1
|
summer 1978 |
39 |
|
“Mr. J. Blake” |
40.4 |
spring 2007 |
151 |
|
“A New Heaven is Begun”:
William Blake and Swedenborgianism |
13.2
|
fall 1979 |
64-90 |
|
Thomas Johnes, “Ancient Guardian of
Wales” |
2.4
|
April 1969 |
65-67 |
|
“To Defend the Bible
in This Year 1798 Would Cost a Man His Life” |
32.2
|
fall 1998 |
32-43 |
|
A Victorian Blake Facsimile |
15.1
|
summer 1981 |
24-27 |
|
William Blake, George Romney, and The Life of George Romney, Esq. |
45.2 |
fall 2011 |
50-65 |
|
William Blake in “The Vanguard of the Age” |
39.4 |
spring 2006 |
185-86 |
|
William Blake, Jacob
Ilive, and the Book of Jasher |
30.2
|
fall 1996 |
51-54 |
Paley, Morton D., assisted by Michael Davies |
Handlists of Four Blake Collections |
11.4 |
spring 1978 |
260-75 |
Paley, Morton D., and
Deirdre Toomey |
Two Pictorial Sources
for Jerusalem 25 |
5.3
|
winter 1971–72 |
185-90 |
See also Essick, Robert N., and Morton
D. Paley |
Parisi, Frank M. See Ferguson, James B., Frank M. Parisi, and Michael Phillips |
Parris, Leslie |
[“Blake’s Last Picture”] |
2.4 |
April 1969 |
68 |
Patenaude, Troy See Crosby, Mark, Troy Patenaude, and Angus Whitehead |
Pearcy, Roy J. |
Blake’s Tyger and Richard Crashaw’s
Paraphrase of Thomas of Celano’s Dies Irae |
7.4
|
spring 1974 |
80-81 |
Peattie, R. W. |
William Michael Rossetti’s Aldine
Edition of Blake |
12.1
|
summer 1978 |
4-9 |
Pedley, Colin |
Blake’s Tiger and the Discourse of Natural History |
24.1
|
summer 1990 |
22-30 |
Pereira, Lawrence Flores See Steil, Juliana, and Lawrence Flores Pereira |
Perkins, David |
Animal Rights and “Auguries
of Innocence” |
33.1
|
summer 1999 |
4-11 |
Peter, Agnes |
The Reception of Blake in Hungary |
34.3
|
winter 2000–01 |
68-81 |
Peterfreund, Stuart |
Reply to Stewart Crehan [in 20.3] |
20.3
|
winter 1986–87 |
108-09 |
Phillips, Michael |
Blake’s Corrections in Poetical Sketches |
4.2 |
fall 1970 |
40-47 |
|
“Blake’s Corrections in Poetical Sketches”: A Forthcoming Supplement and the Britwell Court Library Copy |
4.4 |
spring 1971 |
148-49 |
|
Color-Printing Songs of Experience and Blake’s Method of Registration: A Correction |
36.2
|
fall 2002 |
44-45 |
|
An Island in the Moon [response to review by G. E. Bentley, Jr., in 22.3] |
22.3 |
winter 1988–89 |
110-11 |
|
William Blake and the Sophocles Manuscript
Notebook |
31.2
|
fall 1997 |
44-64 |
|
William Blake: The Creation of the Songs from Manuscript to Illuminated Printing [corrigenda] and a Note on the Publication of Gilbert Imlay’s A Topographical Description of the Western Territory of North America |
35.1
|
summer 2001 |
30-31 |
See also Ferguson,
James B., Frank M. Parisi, and Michael Phillips |
Pierce, John B. |
Bunyan at the Gates of Paradise |
23.4
|
spring 1990 |
198-200 |
|
The Shifting Characterization of Tharmas and Enion in Pages 3-7 of Blake’s Vala or The Four Zoas
|
22.3
|
winter 1988–89 |
93-102 |
See also King, Shelley, and John B. Pierce |
Pignard, Simone, trans. |
Blake in French: An Interview with Pierre
Leyris |
9.4
|
spring 1976 |
115-16 |
Portnoff, Sharon |
My Poison Tree [poem] |
51.3
|
winter 2017–18 |
|
Preston, Kerrison |
[Pronouncing Blake’s Invented Names] |
3.4
|
May 1970 |
106 |
Punter, David |
Blake/Hegel/Derrida:
A Response to Nelson Hilton’s Review of Blake, Hegel and Dialectic [in 17.4]
|
18.1
|
summer 1984 |
58-63 |
Author | Title | Volume | Year | Pages |
Raine, Kathleen |
Blake
and Tradition [response to review by Daniel Hughes in 3.3] |
3.4
|
May 1970 |
89-90 |
|
The Crested Cock |
1.3
|
Dec. 1967 |
9-10 |
Read,
Dennis M. |
George
Frederick Cooke: Another Grave Subscriber Heard From |
11.1
|
summer 1977 |
37-38 |
|
A New Blake Engraving: Gilchrist and the Cromek Connection |
14.2
|
fall 1980 |
60-64 |
Reed,
Mark L. |
Blake,
Wordsworth, Lamb, etc.: Further Information from Henry Crabb Robinson |
3.4
|
May 1970 |
76-84 |
Reiman,
Donald H. |
A
Significant Early Review of Blake |
6.4
|
spring 1973 |
94-95 |
|
A
Significant New Blakean Fragment [fiction] |
9.2
|
fall 1975 |
44-45 |
Reiman,
Donald H., and Christina Shuttleworth Kraus |
The
Derivation and Meaning of “Ololon” |
16.2
|
fall 1982 |
82-85 |
Reisner,
Mary Ellen |
Folcroft
Facsimile of the Songs |
10.4
|
spring 1977 |
130 |
|
The
Locations of Copy U of Songs of Innocence and Copy d of Songs
of Innocence and of Experience |
5.3
|
winter 1971–72 |
214 |
|
Songs
of Innocence Copy U |
6.4
|
spring 1973 |
96 |
Rhodes, Judith |
Blake’s Designs for L’Allegro and Il Penseroso: Thematic Relationships in Diagram |
4.4 |
spring 1971 |
135-36 |
Riccardi, Silvia |
The Body in the Line: “Trasumanar” in Blake’s Dante |
55.2 |
fall 2021 |
15 pars. |
Riehl,
Joe |
Bernard
Barton’s Contribution to Cunningham’s “Life of Blake”: A New Letter |
33.1
|
summer 1999 |
16-20 |
Ripley, Wayne C. |
The Early Marketing of The Grave in London and Boston |
43.3 |
winter 2009–10 |
109-10 |
|
Erdman’s Pagination of The Four Zoas |
36.4 |
spring 2003 |
140-43 |
|
James Blake of Rotherhithe, Timber Merchant |
54.2 |
fall 2020 |
4 pars. |
|
New Night Thoughts Sightings |
47.3 |
winter 2013–14 |
11 pars. |
|
Printed References to and Known Prices of Blake’s Night Thoughts, 1796-1826 |
43.2 |
fall 2009 |
72-75 |
|
Properly Cowed: An Answer to Keri Davies [in 51.4] |
51.4 |
spring 2018 |
17 pars. |
|
Two Newly Discovered Advertisements Posted by William Blake’s Father |
51.1 |
summer 2017 |
8 pars. |
Ripley, Wayne C., with the assistance of Fernando Castanedo and Hikari Sato |
William Blake and His Circle: A Checklist of Scholarship in 2017 |
52.1 |
summer 2018 |
|
|
William Blake and His Circle: A Checklist of Scholarship in 2018 |
53.1 |
summer 2019 |
|
Ripley, Wayne C., with the assistance of Fernando Castanedo, Hikari Sato, and Hüseyin Alhas |
William Blake and His Circle: A Checklist of Scholarship in 2019 |
54.1 |
summer 2020 |
|
Ripley, Wayne C., with the assistance of Fernando Castanedo, Hikari Sato, Hüseyin Alhas, and Vera Serdechnaia |
William Blake and His Circle: A Checklist of Scholarship in 2020 |
55.1 |
summer 2021 |
|
Ritchie, Caroline Anjali |
Diagrammatic Blake: Tracing the Critical Reception of “The Mental Traveller” |
54.4 |
spring 2021 |
30 pars. |
Rix, Robert W. |
All Religions are One: A Note on Sources |
49.4 |
spring 2016 |
14 pars. |
|
Blake, Bacon and “The Devils Arse” |
37.4 |
spring 2004 |
137-44 |
Roberts, Jonathan |
William Blake’s Visionary Landscape near Felpham |
47.2 |
fall 2013 |
39 pars. |
Roberts, Peter |
“On Tame High Finishers of Paltry Harmonies”: A Blake Music Review and Checklist |
7.4
|
spring 1974 |
91-99 |
Robson,
Lane, and Joseph Viscomi |
Blake’s
Death |
30.2
|
fall 1996 |
36-49 |
Roeske,
Paulette |
Mrs. Blake Requests Her Portrait [poem] |
24.4
|
spring 1991 |
157 |
Rose, Edward J. |
The 1839-Wilkinson Edition of Blake’s Songs in Transcendental America |
4.3 |
winter 1970–71 |
79-81 |
|
The
Meaning of Los |
1.3
|
Dec. 1967 |
10-11 |
Rosenfeld,
Alvin H. |
“A
Lot He Knew” |
1.3
|
Dec. 1967 |
3-5 |
|
A
Yiddish Poem on Blake |
2.1
|
June 1968 |
9 |
Rosso, G. A. |
Interpreting Blake’s The Magdalene at the Sepulchre |
54.2
|
fall 2020 |
23 pars. |
Roti,
Grant C., and Donald L. Kent |
The
Last Stanza of Blake’s “London” |
11.1
|
summer 1977 |
19-21 |
Rubinstein,
Chris |
William Blake: A Man without Marx . . . ? [response to review of Bronowski by John Vice in 26.4] |
27.3
|
winter 1993–94 |
75 |
Ryan,
Robert M. |
“Poisonous
Blue” |
7.4
|
spring 1974 |
87, 89 |
Author | Title | Volume | Year | Pages |
Salemi, Joseph S. |
Emblematic Tradition in Blake’s The Gates of Paradise |
15.3
|
winter 1981–82 |
108-24 |
Sanzo, Eileen |
Blake’s Beulah and Beulah Hill, Surrey |
9.2
|
fall 1975 |
46 |
Sato, Hikari See Bentley, G. E., Jr., with the assistance of Hikari Sato |
See also Bentley, G. E., Jr., with the assistance of Hikari Sato and Fernando Castanedo |
See also Bentley, G. E., Jr., with the assistance of Hikari Sato and Ching-erh Chang |
See also Bentley, G. E., Jr., with the assistance of Hikari Sato and Li-Ping Geng |
See also Bentley, G. E., Jr., with the assistance of Hikari Sato, Li-Ping Geng, and Fernando Castanedo |
See also Ripley, Wayne C., with the assistance of Fernando Castanedo and Hikari Sato |
See also Ripley, Wayne C., with the assistance of Fernando Castanedo, Hikari Sato, and Hüseyin Alhas |
See also Ripley, Wayne C., with the assistance of Fernando Castanedo, Hikari Sato, Hüseyin Alhas, and Vera Serdechnaia |
Schiff, Gert |
The Night of Enitharmon’s Joy [catalogue entry] |
36.1 |
summer 2002 |
38-39 |
Schotz, Myra Glazer |
On the Frontispiece of The Four Zoas |
10.4
|
spring 1977 |
126-27 |
Schuchard, Marsha Keith |
Blake’s Healing Trio: Magnetism, Medicine, and Mania |
23.1
|
summer 1989 |
20-32 |
|
The Secret Masonic History of Blake’s Swedenborg Society |
26.2
|
fall 1992 |
40-51 |
|
Young William Blake and the Moravian Tradition of Visionary Art |
40.3 |
winter 2006–07 |
84-100 |
See also Davies, Keri, and Marsha Keith Schuchard |
Scrivener, Michael |
A Swedenborgian Visionary and The Marriage of Heaven and
Hell |
21.3
|
winter 1987–88 |
102-04 |
Senninger, Claude-Marie, trans. |
Les Nouvelles Littéraires: Raw Material [Matière Première] by Denis Roche, and For the Sexes: The Gates of Paradise [Pour les Sexes: Les Grilles de Paradise] by William Blake |
11.2
|
fall 1977 |
119 |
Serdechnaia, Vera |
The Mental Travellers: On Blake’s Reception by Nikolai Gumilyov |
55.3 |
winter 2021–22 |
17 pars. |
|
Remembrance: Dmitri Smirnov, 1948–2020 |
54.1 |
summer 2020 |
|
See also Ripley, Wayne C., with the assistance of Fernando Castanedo, Hikari Sato, Hüseyin Alhas, and Vera Serdechnaia |
Shaddock, David |
Nobodaddy Wakes from His Slumber [poem] |
38.3 |
winter 2004–05 |
119 |
Shiff, Abraham Samuel |
Blake’s Hebrew Calligraphy |
46.2 |
fall 2012 |
34 pars. |
|
Blake’s Priestly Blessing: God Blesses Job |
47.3 |
winter 2013–14 |
29 pars. |
|
Blake’s Priestly Blessing: God Blesses Job—Postscript |
50.2 |
fall 2016 |
3 pars. |
Shroyer, R. J. |
Blake’s Copy of Lavater’s Aphorisms
on Man: A Correction of G. E. Bentley, Jr., Blake Books |
13.2
|
fall 1979 |
108 |
|
Mr. Jacko “Knows What Riding Is” in 1785: Dating Blake’s
Island in the Moon |
12.4
|
spring 1979 |
250-56 |
|
The 1788 Publication Date of Lavater’s
Aphorisms on Man |
11.1
|
summer 1977 |
23-26 |
Simmons, Clare A. |
Blake’s “Holy Thursday” and “The Martyrdom of St. Paul’s” |
53.3
|
winter 2019–20 |
24 pars. |
Simpson, David |
Blake’s Pastoral: A Genesis for “The Ecchoing
Green” |
13.3
|
winter 1979–80 |
116-38 |
|
Which Newton for the British Library? |
28.2 |
fall 1994 |
77-78 |
Singer, Ian |
Blake Books, for G. E. Bentley, Jr. [poem] |
32.4
|
spring 1999 |
150 |
Singh, Charu Sheel |
Reply to Mary V. Jackson [review in 18.2] |
21.1
|
summer 1987 |
14-15 |
Skretkowicz, Victor, Jr. |
J. Deffett Francis: The Swansea Blakes |
3.3
|
Dec. 1969 |
52-54 |
Slowiková, Marta See Dörrbecker, Detlef W., and Marta Slowiková |
Smirnov, Dmitri Nikolaevich |
My Blake (Part 1: In Russia) |
51.4 |
spring 2018 |
19 pars. |
|
My Blake (Part 2: In England) |
52.1 |
summer 2018 |
25 pars. |
Sousa, Alcinda Pinheiro de, Cláudia Franco Souza, and João Carlos Callixto |
Portuguese Readings of William Blake: Fernando Pessoa, a National Poet, and Três Tristes Tigres, a Pop-Rock Band |
55.3 |
winter 2021–22 |
27 pars. |
Souza, Cláudia Franco See Sousa, Alcinda Pinheiro de, Cláudia Franco Souza, and João Carlos Callixto |
Spector, Sheila A. |
Blake’s Graphic Use of Hebrew |
37.2 |
fall 2003 |
63-79 |
|
Blake’s Graphic Use of Hebrew [corrigenda] |
37.3 |
winter 2003–04 |
111 |
|
Frye’s Mistreatment of the Archetype |
50.2 |
fall 2016 |
34 pars. |
|
Kabbalistic Sources—Blake’s and His Critics’ |
17.3 |
winter 1983–84 |
84-101 |
|
Reading Jerusalem: The Horizon of Expectations |
52.2 |
fall 2018 |
39 pars. |
|
The Reasons for “Urizen” |
21.4 |
spring 1988 |
147-49 |
|
Sources and Etymologies of Blake’s “Tirzah” |
23.4
|
spring 1990 |
176-83 |
Srigley, Michael |
The Sickness of Blake’s Rose |
26.1
|
summer 1992 |
4-8 |
Stallworthy, Jon |
In Memory of Geoffrey Keynes, Kt., Late of Lammas House,
1887-1982 [poem] |
17.2
|
fall 1983 |
61 |
Stauffer, Andrew M. |
Blake’s Poison Trees |
35.2
|
fall 2001 |
36-39 |
Steil, Juliana, and Lawrence Flores Pereira |
Translating Blake’s Prophetic Poetry: The Case of Milton |
54.2
|
fall 2020 |
15 pars. |
Stemmler, Joan K. |
Cennino, Cumberland, Blake and Early Painting
Techniques |
17.4
|
spring 1984 |
145-49 |
|
“Undisturbed above once in a Lustre”: Francis Douce, George Cumberland and William Blake at the Bodleian Library and Ashmolean Museum |
26.1
|
summer 1992 |
9-18 |
Stevenson, W. H. |
Blake and William Frend |
3.1 |
June 1969 |
19-20 |
|
Blake’s Advent Birthday |
40.1 |
summer 2006 |
45 |
|
“Death’s Door” |
4.2 |
fall 1970 |
49 |
|
[Druids in Annandale; Flaxman’s Parson] |
1.1 |
June 1967 |
9 |
|
[Dura; Countess of Egremont; Cratetos] |
1.1 |
June 1967 |
7 |
|
The Sound of “Holy Thursday” |
36.4
|
spring 2003 |
137-40 |
|
Two Problems in The Four Zoas |
1.3 |
Dec. 1967 |
13-16 |
|
Two Problems in The Four Zoas [continued] |
1.4 |
March 1968 |
6-8 |
Stevenson, Warren |
“Are there fairies still in London?” [poem] |
2.2 |
Sept. 1968 |
34 |
|
Bifocal [poem] |
13.1
|
summer 1979 |
39 |
|
Blake at the Winter Solstice [poem] |
32.4
|
spring 1999 |
149 |
|
Cold Colloquy [poem] |
39.1 |
summer 2005 |
54 |
|
Discussion [response to David Simpson on Paolozzi’s Newton in 28.2] |
29.1
|
summer 1995 |
24-25 |
|
[Hayley and Smart’s Jubilate Agne] |
2.1
|
June 1968 |
14 |
|
The Image of Canada in Blake’s America a Prophecy |
27.3
|
winter 1993–94 |
72-74 |
|
LOCK/LUCK (for Barry Lord) [poem] |
22.4
|
spring 1989 |
145 |
|
On Blake’s Painting of Jesus and the Woman
Taken in Adultery [poem] |
19.4
|
spring 1986 |
150 |
Storch, Margaret |
Blake and Women: A Reply to Nelson Hilton [review in 25.4] |
26.4
|
spring 1993 |
161 |
Strickland, Edward |
John Dennis and Blake’s Guinea Sun |
14.1
|
summer 1980 |
36 |
Sturrock, June |
“What have I to do with thee?” |
28.3
|
winter 1994–95 |
89-91 |
Summerfield, H. |
Blake and the Names Divine |
15.1
|
summer 1981 |
14-22 |
Sung, Mei-Ying |
New Information about William Blake’s Pre-Publication Proofs of His Job Engravings |
49.2 |
fall 2015 |
19 pars. |
Author | Title | Volume | Year | Pages |
Tayler,
Edward W.; Everett C. Frost |
The
Source of “Bring out number, weight & measure in a year of dearth” |
5.3
|
winter 1971–72 |
213 |
Tayler, Irene |
[Blake’s Illustrations to Thomas Gray] |
1.2
|
Oct. 1967 |
6 |
|
Blake’s
Laocoön |
10.3
|
winter 1976–77 |
72-81 |
Taylor,
Dena Bain |
The
Deterioration of the 1951 Blake Trust Jerusalem |
23.2
|
fall 1989 |
75-78 |
|
A
Note on William Blake and the Druids of Primrose Hill |
17.3 |
winter 1983–84 |
104-05 |
|
The
Visual Context of “Joseph of Arimathea among the Rocks of Albion” |
20.2
|
fall 1986 |
47-48 |
Taylor,
Peter Alan |
Blake’s
Text for the Enoch Drawings |
7.4
|
spring 1974 |
82-86 |
Taylor, Ron |
A Checklist of Recent Blake Scholarship |
8.4 |
spring 1975 |
146-58 |
Tener,
Robert H. |
The
Authorship of the Spectator Review of Gilchrist |
13.1
|
summer 1979 |
33-35 |
Thompson,
Raymond E. |
The
“Double”of the Double Portrait of Blake: A Description of Tatham’s Replica
Portrait |
13.1
|
summer 1979 |
29-32 |
Thompson,
Shawn |
Thanks
Newton [poem] |
13.2
|
fall 1979 |
105 |
Todd, Ruthven |
Blake’s Copy of Dante |
4.2 |
fall 1970 |
49-50 |
|
The Bohn Catalogue and James Vine |
4.4 |
spring 1971 |
149 |
|
[“Exhibiting my two Pictures”] |
2.3 |
Dec. 1968 |
58 |
|
“Poisonous
Blues” and Other Pigments |
14.1
|
summer 1980 |
31-34 |
|
A Projected New Edition of the Gilchrist-Todd Life of Blake |
1.4
|
March 1968 |
11 |
|
A
Recollection of George Richmond by His Grandson |
6.1
|
summer 1972 |
24 |
|
The
Rev. Dr. John Trusler (1735-1820) |
6.3
|
winter 1972–73 |
71 |
|
Revising Edition of Gilchrist’s Life |
2.2 |
Sept. 1968 |
25-28 |
|
[Songs Facsimile] |
2.1 |
June 1968 |
14 |
|
A
Tentative Note on the Economics of “The Canterbury Pilgrims” |
11.1
|
summer 1977 |
30-31 |
|
Two
Blake Prints and Two Fuseli Drawings with Some Possibly Pertinent Speculations |
5.3
|
winter 1971–72 |
173-81 |
Tolley,
Michael J. |
The Allegorical Female Figure: She Cometh with Clouds [response to Christopher Heppner in 20.1] |
20.3 |
winter 1986–87 |
101-02 |
|
The
Auckland Fuselis |
3.3
|
Dec. 1969 |
51-52 |
|
Blake’s
Debt to Pope |
2.4
|
April 1969 |
62-64 |
|
Hilton
under the Hill: Other Dreamers |
23.4
|
spring 1990 |
201-03 |
|
Jerusalem
12: 25-29—Some Questions Answered |
4.1
|
Aug. 1970 |
3-6 |
|
John
Todhunter: A Forgotten Debt to Blake |
8.1-2
|
summer-fall 1974 |
15-16 |
|
Remarks
on “The Tyger” [with response by Morton D. Paley] |
1.2
|
Oct. 1967 |
10-14 |
|
Some Analogues or Sources |
1.4 |
March 1968 |
9 |
|
“Thel’s
Motto”: Likely and Unlikely Sources [response to Michael Ferber in 9.2] |
10.1
|
summer 1976 |
35-36 |
|
Three
Bibliographical Additions |
2.1
|
June 1968 |
10 |
Toomey,
Deirdre |
The
States of Plate 25 of Jerusalem |
6.2
|
fall 1972 |
46-48 |
See also Paley, Morton D., and Deirdre Toomey |
Townsend, Joyce H., Bronwyn Ormsby, Julia Jönsson, and Mark Evans |
Blake’s Only Surviving Palette? |
39.2 |
fall 2005 |
100-03 |
Trawick,
Leonard |
Nature
and Art in Milton: Afterthoughts on the 1973 MLA Seminar |
7.3
|
winter 1973–74 |
67-68 |
Tsuji, Amy |
Recent Blake Publications |
1.1 |
June 1967 |
2-4 |
Tyson,
G. P. |
An
Early Allusion to Blake |
9.2
|
fall 1975 |
43 |
Author | Title | Volume | Year | Pages |
Ward, Aileen |
Building Jerusalem: Composition and Chronology |
39.4 |
spring 2006 |
183-85 |
|
Canterbury Revisited: The Blake-Cromek
Controversy |
22.3
|
winter 1988–89 |
80-92 |
|
Reply to G. E. Bentley, Jr. [in 41.4] |
41.4 |
spring 2008 |
166-67 |
|
Who Was Robert Blake? |
28.3
|
winter 1994–95 |
84-89 |
Ward, Marney |
Copy N of the Songs |
5.3
|
winter 1971–72 |
214 |
Wardle, Judith |
The Influence of Wynne’s
Emblems on Blake |
9.2
|
fall 1975 |
46-47
|
Warner, Janet |
Blake and English Printed Textiles |
6.4
|
spring 1973 |
84-92 |
|
A Contemporary Reference
to Blake |
9.4
|
spring 1976 |
122 |
|
James Vine |
4.3 |
winter 1970–71 |
106-07 |
Warner, Nicholas O. |
Blake’s Moon-Ark Symbolism |
14.2
|
fall 1980 |
44-59 |
|
Shaw, Tolstoy and Blake’s
Russian Reputation |
17.3
|
winter 1983–84 |
102-04 |
|
Visual Analogues to Blake’s “The Dog” |
18.3
|
winter 1984–85 |
140-43 |
Watarai, Kazumitsu |
A Bibliography of William
Blake in Japan, 1969-1977 |
12.3
|
winter 1978–79 |
198-201 |
See also Minnick, Thomas L., with the assistance of Detlef W. Dörrbecker and Kazumitsu Watarai |
Weber, Dwight E. |
William Blake’s Visions
of the Daughters of Albion: A Poem Based on Doubt |
12.3
|
winter 1978–79 |
203-04 |
Weinglass, D. H. |
Henry Fuseli’s Letter of Enquiry to Paris
on Behalf of Mary Wollstonecraft’s Sister, Everina |
21.4
|
spring 1988 |
144-46 |
Welch, Dennis M. |
America and
Atlantis: Blake’s Ambivalent Millennialism |
6.2
|
fall 1972 |
50 |
|
Blake’s Response to Wollstonecraft’s
Original Stories |
13.1
|
summer 1979 |
4-15 |
Wellens, Oskar |
A Dutch Bibliophile Edition of The Marriage of Heaven and Hell (1928) |
37.3 |
winter 2003–04 |
104-07 |
White, Harry |
Blake and the Mills
of Induction |
10.4
|
spring 1977 |
109-12 |
|
Blake’s Resolution to the War
between Science and Philosophy |
39.3 |
winter 2005–06 |
108-25 |
|
Cruel Holiness and Honest Virtue in the Works of William Blake |
40.2 |
fall 2006 |
52-65 |
Whitehead, Angus |
“another, but far more amiable enthusiast”: References to Catherine and William Blake in the Literary Gazette and La Belle Assemblée (1830) |
46.4 |
spring 2013 |
4 pars. |
|
“a bite”: The First Published Reference to Blake’s Ghost of a Flea? |
49.3 |
winter 2015–16 |
7 pars. |
|
“an excellent saleswoman”: The Last Years of Catherine Blake |
45.3 |
winter 2011–12 |
76-90 |
|
A Further Reference to William Blake in the Letters of Charlotte Smith |
43.2 |
fall 2009 |
78 |
|
“I also beg Mr Blakes acceptance of my wearing apparel”: The Will of Henry Banes, Landlord of 3 Fountain Court, Strand, the Last Residence of William and Catherine Blake |
39.2 |
fall 2005 |
78-99 |
|
Mark and Eleanor Martin, the Blakes’ French Fellow Inhabitants at 17 South Molton Street, 1805-21 |
43.3 |
winter 2009–10 |
84-95 |
|
“Mr CLAY of Hercules Buildings” |
45.4 |
spring 2012 |
143-44 |
|
“Mrs Chetwynd & her Brother” and “Mr. Chetwynd” |
42.2 |
fall 2008 |
75-78 |
|
“this extraordinary performance”: William Blake’s Use of Gold and Silver in the Creation of His Paintings and Illuminated Books |
42.3 |
winter 2008–09 |
84-108 |
|
“Visions of Blake, the Artist”: An Early Reference to William Blake
in the Times |
41.1 |
summer 2007 |
46-47 |
See also Crosby, Mark, Troy Patenaude, and Angus Whitehead |
Whittaker, Jason |
Blake and Music, 2017 |
52.1 |
summer 2018 |
|
|
Blake and Music, 2018 |
53.1 |
summer 2019 |
|
|
Blake and Music, 2019 |
54.1 |
summer 2020 |
|
|
Blake and Music, 2020 |
55.1 |
summer 2021 |
|
|
“Jerusalem” Set to Music: A Selected Discography |
52.4 |
spring 2019 |
|
Wilkie, Brian See Johnson, Mary Lynn, and Brian Wilkie |
Wills, James T. |
An Additional Drawing
for Blake’s Bunyan Series |
6.3
|
winter 1972–73 |
62-67 |
Wilton, Andrew |
A Fan Design by Blake |
7.3
|
winter 1973–74 |
60-63 |
Witke, Joanne |
[Suggested Textual Emendation to Jerusalem 43: 28] |
2.4
|
April 1969 |
68 |
Wittreich, Joseph A.,
Jr. |
A Bibliographical Note |
2.1
|
June 1968 |
13-14 |
|
Further Observations on William Rossetti’s
Annotations to Gilchrist’s Life of Blake |
3.3
|
Dec. 1969 |
48-51 |
|
A Note on Blake and Fuseli |
3.1
|
June 1969 |
3-4 |
|
A Note on Blake and Milton |
2.2
|
Sept. 1968 |
17-18 |
See also Curran, Stuart, and Joseph Anthony Wittreich, Jr. |
Wood, Marcus |
A Caricature Source for One of Blake’s Illustrations to Hayley’s Ballads |
24.1
|
summer 1990 |
31-32 |
Worrall, David |
Blake’s Derbyshire: A Visionary Locale
in Jerusalem |
11.1
|
summer 1977 |
34-35 |
|
William Bryan, Another Anti-Swedenborgian
Visionary Engraver of 1789 |
34.1
|
summer 2000 |
14-22 |
Wright, John W. |
Blake’s Relief-Etching
Method |
9.4
|
spring 1976 |
94-114 |
|
Toward Recovering Blake’s Relief-Etching
Process |
7.2
|
fall 1973 |
32-39 |
Wright, Julia M. |
“Empire is no More”: Odin and Orc in America |
26.1
|
summer 1992 |
26-29 |
Wright, Warren Keith |
The Scholars and a Grain of Sand |
16.4
|
spring 1983 |
225 |